Vermeer's Delft Today: Schutterij and the Doelen
The principal source is the article by B. Th. G. Singeling, "De Delftse Schutterij" in:
De Stad Delft. Cultuur en maatschaapij van 1572 tot 1667.
In the Netherlands, the twelfth and thirteenth centuries ushered in progressive urbanization of the growing population. Civic guards or militia, as they are also called, became necessary to protect the towns because traditional private guards of the aristocratic rulers proved insufficient. Protection was required not only from foreign enemies, but from fire or the flooding as well. Popular revolts had to be occasionally put down. Hence the Dutch name for their guards was Schutter (in German: 'Schütze', from: 'beschützen') which in the original meaning of the word is "guardian" (to guard, to protect) and not "shooter."
A crossbow of c. 16th century
exhibited in the
Members of the Schutterij were selected from the town's wealthy burghers since the lower classes could not afford the appropriate equipment and uniform even though some local authorities had occasionally paid for the equipment. Officers and captains were appointed by the city magistrates, and aside their social origin, they had to be members of the Reformed Church. In the words of a Delft edict of 1655, Schutterij were "the most suitable, most peaceful and best qualified burgers or children of burgers." Their pay, compared to their duties, was negligible consisting in a small subsidiary or a (partial) release from certain taxes. Nevertheless, the membership in a Civic Guard was a matter of civic pride, an honor which lead to the development of a kind of "civic nobility" (burgeredeldom).
Civic guards obeyed strict rules, embedded in the general civil law. In time of war, importance was given to assigning colors and symbols for each town so that fellow citizens could be easily identified avoiding confusion in the tangle of a battle.
A flintlock gun in the Dutch style of the 1670s
probably made in the East Indies
The municipality provided civic guards with shooting ranges frequently with a building hall for meetings and traditional feasts, such as the popular "Papegaai-Schieten," the "Parrot-Shooting" or the banquets made famous by Frans Hals. The patron saints of the traditional Dutch civic guards were either Saint Joris or Saint Sebastiaan.
A flintlock belt pistol
During the sixteenth century, gunpowder (buskruit) came into use for the new hand cannons (e.g. muskets) and pistols which lead to the foundation of special groups of civic guards: the "Kloveniers" (a kind of musketeers) and larger shooting ranges.
The history of the Delftse Schutterij
The existence of a Schuttersgilde in Delft is first evident from an ordinance by the Delft magistrate from the year 1397, regulating the organization's, duties and the rights. This ordinance is the oldest known from any Dutch city. It included exact guidelines as to the age and economic condition of the appointed members. Economic solidity was necessary to buy their complete equipment (weapons, uniform). Any show of conflict or envy among the members was strictly forbidden and punished by a fine. In some cases, (perhaps that of Vermeer himself) requirements could be stretched to include other such as a shoemaker and tailor in 1631. Evidently, as again in the case of Vermeer, belonging to the Catholic faith was not always considered an impediment. About one in twenty able-bodied-men of the right age qualified and the total number hovered around 800 members. Although the oath of the Civic Guard members was not taken lightly, some incidents occurred in Delft that demonstrate that they did not always come up to the mark, at least in the eyes of the public. However, they did constitute part of the backbone of the city of Delft.
A Walking Musketeer Seen
Black chalk, brush and brown ink
205 x 152 mm
Metropolitan Museum of Art, New York
After the onset of the war with France in 1672, the presence of Catholics in the civic guard was a matter of some consequence, since the Dutch Republic was fighting against the Catholic Louis XIV, and there may have been some apprehension about using Catholics of doubtful loyalty in the country's defense. While the grounds of Delft were not directly involved in the ensuing conflict and following French occupation, it had been flooded with refugees, especially from Tiel, overrun by the French.
The principal colors of the Delft Civic Guard were black-and-white, the traditional colors of the city coat of arms. The patron saint was Saint Joris, mentioned already in the Chronycke van Ste. Ursulaas-kerk binnen der Stad Delft with the note that in 1411 the members of the Voetboogschutters ("crossbow shooters") had donated an altar dedicated to Saint Joris.
Shortly after the "Unie van Utrecht" in 1579, a new Ordonnantie Der Schutterijen ende wachten binnen der Stadt Delft was published on 12th May 1580. It contained a new division of the civic guard into four vendels (companies). Each vendel had 120 shooters with one captain and lieutenants as well as the vandeldrager (standard-bearer) and his lieutenants. The shooters were again divided in six rotten (squadrons), each with 20 shooters including their captains and lieutenants. The salary for a shooter was only 20 stuivers per year. Later the Kloveniers were awarded an extra pound of gunpowder for their firearms.
Every facet of the town's "night watch" and the opening and closing of the city gates was strictly regulated. Some corrections followed, among others a new division of the "vendels" in four quarters of the city, each marked with different colors. According to Dirck van Bleyswijk's Beschrijvinge der Stadt Delft (1667) these were: the "groene" (green) vendel for the first quarter, the "oranje" (orange) vendel for the second quarter, the "witte" (white) vendel for the third quarter and the "blauwe" vendel for the fourth quarter. In the Schuttersboek from 1674
Vermeer and the Delft Civic Guard
In the Schuttersboek from 1674 Johannes Vermeer is listed as member of the first squadron of the oranje vendel commanded by Abraham Coeckebacker. We know that the acclaimed Delft painter (a family friend of the Vermeers) Leonaert Bramer, had been a sergeant in the same company and a member of a select group known as the Brotherhood of Knights (broederschrappe). Two other important figures in the life of Vermeer had played a role in the Delft Civic Guard. The first was Captain Teding van Berckhout, who headed the second banner of the third quarter. Van Berckhout had once registered in his personal diary a visit to the Vermeer's studio. Although Van Berckhout's entry was very brief, it proves that the Delft artist enjoyed a certain fame since he was referred to as the "celebrated painter named Vermeer." In any case, his membership probably brought him into contact with rich collectors and potential clients.
The second person was Anthony van de Wiel, sergeant of the first squadron in the second banner of the third quarter. Van de Wiel had been Vermeer's brother-in-law while his sister Gertruy was alive. Van de Wiel served under Van Berckhout.
We do not know when exactly Vermeer joined the Civic Guard. It appears that the captains of the Delft Civic Guard remained unaware of the painter's difficult financial situation or perhaps by necessity or deference, they chose to ignore it. Perhaps the rules set down to guide the functioning of the Civic Guard were practiced less rigidly. Nevertheless Vermeer certainly enjoyed a good reputation of an honorable citizen. He had been elected two times as the chairman of the local Guild of Saint Luke, one of the most powerful organizations in Delft.
The civic guard activity no doubt allowed the painter to meet and interact with many outstanding burghers with whom he might not otherwise have had any relations. The captains, lieutenants and ensigns were recruited among Delft's wealthiest and most powerful families (the Van Bleiswijcks, Van der Dussens, Graswinckels, Van Lodensteyns, Van Meermans, Van Ruijvens, Van Schilperoorts and Van der Voochts). The sergeants were generally of less distinguished origin, but this group included well-known artists and other professional men. The painters Leonaert Bramer and Jacob Willemsz. Delff and the notary Willem de Langue were sergeants in the 1640s. Even the ordinary members… were of middle-class status and generally literate."2 The painter Herman van Steenwijck who was involved in a shooting accident in 1636.
Members of the Schuttersgilde 'Saint Jan' from Keyenborg, showing the traditional weapons of the historic Civic Guard: left: the handboog (also called flitsboog), middle: the voet- or kruisboog (crossbow), right: the piek (pike).
The inventory of 1676 of movable goods from Vermeer's estate (Vermeer died in 1675) lists an iron armor with a helmet and a pike in the "great hall" (groote zael). Pikes were used by the pikeniers from the infantry both for attacking foot soldiers or to defend their unit's musketeers from enemy cavalry. Pikeniers were near the bottom of the Guard's standings.
Vermeer may have been involved in watching tasks, as pikes are typical weapons for watching at gates or doors within a castle. Two pikeniers are able to quickly block a gate or door for the first by crossing the long pikes, without shooting (and perhaps wounding the wrong person).
It is unlikely that Vermeer was involved in battles outside of Delft, perhaps he helped defend he city during the French invasion. 300 Delft Civic Guards were sent to Geertruidenberg, Heusden, Den Briel and Gorkum in 1672.
.in collaboration with Adelheid Rech.Vermeer's Delft Today
- vermeer's delft today
- the "view of delft"
- beestenmarkt: the origins of vermeer's grandparents
- voldersgracht:vermeer's birthplace
- mechelen: growing up
- the hidden catholic church of delft: vermeer's catholicism
- vermeer's marriage at schipluiden
- oude langendijk: vermeer's house & studio
- detailed house-by-house study of Vermeer's neighborhood (with ample database)
- schutterij and the doelen: vermeer's military service
- oude and nieuwe kerk of delft
- house of pieter de hooch
- kamer VOC
- oostpoort & paardenmarkt
- photographic impressions of delft
Things to do in Delft
The Museum het Prinsenhof of Delft, established in 1911, offers a unique opportunity to explore the history of the Netherlands, Delft and delftware. The museum is housed in a building of great historical importance, the site of some of the most dramatic and consequential events of Dutch history. It was once the court of William of Orange, the Father of the Dutch Nation. In the museum you will also discover the role the citizens of Delft played in the history of the Netherlands and how delftware became the global brand it is today. The building is an urban palace built in the Middle Ages as a monastery. Later it served as a residence for William the Silent. William was murdered in the Prinsenhof in 1584; the holes in the wall made by the bullets at the main stairs are still visible.
address: Sint Agathaplein 1, 2611 HR Delft
September 1, 2018–28 February 2019:
Tuesday–Sunday from 11 a.m.–5 p.m.
during school holidays:
Monday - Sunday from 11 a.m.–5 p.m.
closed on King's Day (27 April), Christmas Day and New Year's Day
The Vermeer Centrum Delft is volunteer-run organization that provides information about Vermeer, demonstrates his painting techniques and exhibits reproductions of his works. It also has a shop that sells Vermeer-related objects. The Vermeer Centrum Delft is an organization that is completely run by more than eighty enthusiastic volunteers. The Centrum is located on the historical spot of the former St. Lucas Guild, where Vermeer was head of the painters.
Voldersgracht 21, Delft
opened daily from 10 a.m.–5 pm.
open on 24 and 31 December from 10 a.m.–4 p.m.
open on 26 December and 1 January from 12 a..m..–5 p.m.
closed on 25 December
Free guided tours on Friday and Sunday
Friday at 11:30 a.m. (Dutch)
Sunday at 10:30 a.m. (English)
Sunday 12 a.m. (Dutch)
The shop and Café Mechelen have the same opening times.
for information on opening time and tickets, click here.
The main market in Delft, in Dutch, de Markt, draw visitors from both afar and from the neighboring cities like The Hague and Rotterdam. It is located between City Hall and the spectacular Nieuwe Kerk and is open on Thursday. Jumbled together some 150 stalls are sell cheese, fish, vegetables, bread, nuts and other food, can be purchased as well as clothing, bicycle accessories and electronic gadgets. Around the market, pubs and open-air terraces afford excellent places to rest and have a cup of coffee.
The flower market takes place on the Brabantse Turfmarkt, a five-minute walk from the general market. This piece of Delft boasts dozens of flower merchants and thousands of flowers. On Saturdays the location hosts a smaller version of the general market with some 50 stalls.
Also interesting is the weekly art and antiques market frequented by tourists who want to enjoy the beautiful city and hunt for good deals. The antiques and vintage market is open on Thursdays and Saturdays from April through October. On Thursdays it is located along the canal in the street known as Hippolytusbuurt. On Saturdays the market is bigger and includes a book market. It sprawls along the Voldersgracht and the canals in the Hippolytusbuurt and Wijnhaven.
View of historic Delft with
MICROSOFT'S Search Maps
Officers and Sergeants of the Saint Hadrian Civic Guard
Frans Halsmuseum Haarlem
In no other century do we find such a wealth of portraits in the Netherlands than especially in the first half of the seventeenth century. The wealthy burghers wished to be depicted in all their new won prosperity. Group portraits of civic guards became a category of their own, called Schuttersstukken. The most famous is certainly Rembrandt's Night Watch (1642). The civic guard commissioned a painter, and every member who wished to be depicted had to pay for it according to his position. The whole category virtually disappeared in the Netherlands after the Treaty of Münster in 1648. Dutch patricians preferred then to be seen as dignified regents rather than military men.Vermeer news Facebook Vermeer FAQ Art bookshops Vermeer slideshow Digital images About contact
- Vermeer's paintings in scale
- Vermeer paintings in their frames
- geographical distribution of Vermeer's paintings
- Vermeer's painting according to popularity
- high-resolution images of Vermeer's paintings
- carousel slide viewer of Vermeer's paintings
- Vermeer's clients and patrons
- the Dissius auction
- the formation of the Dissius collection
- eyewitness accounts of Vermeer's paintings
- missing Vermeers
- Vermeer's subject matter
- Vermeer's lost self-portrait
- Vermeer's painting in context
- rediscovery: Thoré
- Saint Praxedis: Vermeer or not?
- why did Vermeer paint so few works?
Vermeer's Painting Technique
- Vermeer's painting technique
- Vermeer's palette
- details of Vermeer's painting technique
- Vermeer and the camera obscura
- 10 of Vermeer's rooms: axonometric, plan and side geometrical drawings
- virtual reconstruction of Woman with a Water Pitcher
- books on Vermeer's technique
Dutch & Delft Painting
- School of Delft
- Guild of Saint Luke, Delft
- economics of Dutch painting
- timeline of Dutch painters
- timeline of European artists
- Golden Age of Dutch art
- 400 Dutch 17th-c. paintings
- 8 Dutch masters in depth
About this Website
Vermeer's Life & Family
- timeline of Vermeer's life
- Vermeer's life
- chronology of Vermeer's life
- 10 Vermeer-related documents
- Vermeer the man
- Catharina & Johannes
- Vermeer's marriage in Schipluiden
- Catholicism, Delft & Vermeer
- Vermeer's children
- Vermeer's women
- images of all the women in Vermeer's painting
- Vermeer's family tree
- Vermeer's name
- inventory of movable goods in Vermeer's home
Delft & Vermeer's Neighborhood
- Vermeer places in today's Delft
- Delft in Vermeer's time
- photographic impressions of Delft
- Vermeer's neighborhood
Dutch Music in Vermeer's time
- music in the time of Vermeer, with sound files
- the carillon: Vermeer's musical companion
- folk music in the time of Vermeer
- Dutch art by subject
- exh. catalogues of Dutch art
- Dutch culture & history
- old master painting technique
- Vermeer's painting technique
Exclusive E.V. Interviews
- art terms and name pronounced in Dutch
- Dutch pronunciation of 55 masters of the Golden age of Dutch painting
- Arnold Bon's 1667 elegy in which Vermeer's name is mentioned
- Vermeer exhibitions in chronological order
- Vermeer exhibitions by painting
- provenances of Vermeer's paintings
- dating Vermeer's paintings
- Vermeer's signatures
- geographical distribution of Vermeer's paintings
- research Vermeer's art by topic
- Vermeer: erroneous attributions and forgeries
- Vermeer thefts
- getting started with selected books and videos
- online Dutch art cultural resources
- Dutch 17th-c. art
- painting technique of Vermeer and the great masters
- Vermeer inspired videos, cinema, novels and poetry
Vermeer Events & Newsletters
- current Vermeer events
- past Vermeer events
- past Essential Vermeer newsletters
- subscribe to Vermeer newsletter
- timeline of Vermeer's life & history, science and culture
- interactive map & time line of 17th-c. Dutch painting
- European painters in Vermeer's time
- painters of Europe: 1200–1900
- websites of museums with Vermeer paintings
- museums with Dutch 17th-c. painting collections
- list of major Dutch art museums
- historical maps of Delft
- locate Dutch painters on an interactive map of the Netherlands, with timeline included
- map of 17th-c. Netherlands with pronunciation of the names of Dutch artists and art centers
Reviews of Vermeer Videos
- Tim's Vermeer
- Views on Vermeer: 12 Short Stories
- Brush with Fate: a behind-the-scenes view of how Girl in Hyacinth Blue was painted
- Vermeer: Beyond Time
- Love, Light and Silence
- Vermeer and Music: The Art of Love and Leisure
- lace and lacemaking in the 17th c.
- Antonie Leeuwenhoek
- birth of the United Provinces
- Constantijn Huygens