Dhunu is the protagonist amidst a group of real Village Rock stars. Growing up in deprivation, she learns to manage her life within surroundings of hostile natural calamities and how to weave dreams of owning a guitar!
Ten-year-old Dhunu (Bhanita Das) lives in village near Chaygaon in Assam, India with her widowed mother (Basanti Das) and elder brother Manabendra (Manabendra Das). While helping her mother sell snacks at a local event, she becomes mesmerized by a band that’s performing there. The part that’s so delightfully hokey: the boys belt out their hits with musical instruments made of Styrofoam. She proceeds to copy them, carving a guitar Jimi Hendrix would be proud of.
Impressionable and tenacious at the same time, Dhunu reads a comic book and decides she wants to form a band playing real instruments. Rupee by rupee, she begins to save for the guitar. She reads an article in a scrap newspaper and decides that positive thinking can make the possession of the guitar materialize. But as floods destroy the family's crops, Dhunu must choose her priorities. The whole premise sounds endearingly naive, yet Dhunu’s brilliance in everything she does transforms the cheesy bromides into a rallying cry for hope and self-reliance.
The language of the movie is Kamrupi, a distinct dialect of Assam.
Village Rockstars won the Film Critics Circle of India Award for the Best Indian Film of 2017. Jury member Dalton L declared it "a milestone film of sorts", adding, "Village Rockstars epitomises the trials and tribulations, and heralds the coming of age, of a filmmaker, of her protagonist, and of the indie film movement in India". Jury member Priyanka Dasgupta said, "Rima Das’ film is a lyrical montage of life and times in contemporary rural India. It subtly draws attention to complex gender issues – sometimes even subverting the conventional gender norms – without ever getting preachy. Bhanita Das – the pint-sized fiery ball of lovable energy – is endearingly natural. But just when one fears that the film might become schmaltzy, the film-maker takes control. The lens speaks volumes, sometimes conveying more than the dialogues. Such a work by a first-time director holds a lot of promise for Indian cinema". Jury member Premchand called it "a women’s journey into the heart of the matter." Saibal Chatterjee, a founder member of the Society, gave the film a five-star rating, and says in his review, "A masterwork is usually the result of strict adherence to artistic and functional rules. Village Rockstars respects none: it dons a raw, innocent cloak and exudes a degree of purity that deliberate craft can never bestow on a film... The film stands for something that is always under threat: the courage to ignore the reality that life is exceedingly difficult for cinema that is made on the margins of a giant production machinery and recognize that there always are ways out for those who revel in battling the odds, no matter how daunting, and overcoming them."
Maggie Lee says in her review for Variety, "By focusing on tween characters, the picture evokes that freewheeling stage when gender roles are still blurry in the friendships between boys and girls. Then as suddenly as a monsoon, Dhunu’s first period arrives. The rituals held to initiate her into womanhood — making her wear a sari, segregating her from the boys — are seen as attempts to enforce her otherness."
 Deborah Young in the Hollywood Reporter says, "Village Rockstars’ storytelling is so offhand it borders on documentary. The action follows natural rhythms, the seasons, biology."