A common theme in thrillers involves innocent victims dealing with deranged adversaries, as seen in Hitchcock's film
(1940), where Mrs. Danvers tries to persuade Mrs. De Winter to leap to her death.
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that involves excitement and suspense in the audience. The suspense element, found in most films' plots, is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible. 
cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a mission, or a mystery.
Thriller films are typically hybridized with other genres; hybrids commonly including:
action thrillers, adventure thrillers, fantasy and science fiction thrillers. Thriller films also share a close relationship with horror films, both eliciting tension. In plots about crime, thriller films focus less on the criminal or the detective and more on generating suspense. Common themes include, terrorism, political conspiracy, pursuit and romantic triangles leading to murder.
In 2001, the
American Film Institute made its selection of the top 100 greatest American "heart-pounding" and "adrenaline-inducing" films of all time. The 400 nominated films had to be American-made films whose thrills have "enlivened and enriched America's film heritage". AFI also asked jurors to consider "the total adrenaline-inducing impact of a film's artistry and craft". 
One of the earliest thriller films was
Harold Lloyd's comedy (1923), with a character performing a daredevil Safety Last! stunt on the side of a skyscraper. Alfred Hitchcock's first thriller was his third silent film, (1926), a suspenseful The Lodger: A Story of the London Fog Jack the Ripper story. His next thriller was (1929), his and Britain's first sound film. Blackmail  His notable 1930s thrillers include  (1934), The Man Who Knew Too Much (1935) and The 39 Steps (1938), the latter two ranked among the The Lady Vanishes greatest British films of the 20th century.
One of the earliest spy films was
Fritz Lang's (1928), the director's first independent production, with an anarchist international conspirator and criminal spy character named Haghi (Rudolf Klein-Rogge), who is pursued by good-guy Agent No. 326 (Willy Fritsch)—this film would be an inspiration for the future Spies James Bond films. The German film (1931), directed by M Fritz Lang, starred Peter Lorre (in his first film role) as a criminal deviant who preys on children.
Hitchcock continued his suspense-thrillers, directing
(1940), the Oscar-winning Foreign Correspondent (1940), Rebecca (1941), Suspicion (1942) and Saboteur (1943), which was Hitchcock's own personal favorite. Notable non-Hitchcock films of the 1940s include Shadow of a Doubt (1946) and The Spiral Staircase (1948).
Sorry, Wrong Number
In the late 1940s, Hitchcock added
Technicolor to his thrillers, now with exotic locales. Hitchcock's first Technicolor film was (1948). He reached the zenith of his career with a succession of classic films such as, Rope (1951), Strangers on a Train (1954) with Dial M For Murder Ray Milland, (1954) and Rear Window (1958). Non-Hitchcock thrillers of the 1950s include Vertigo (1955)— The Night of the Hunter Charles Laughton's only film as director—and Orson Welles's crime thriller (1958).
Touch of Evil
Michael Powell's (1960) featured Peeping Tom Carl Boehm as a psychopathic cameraman. After Hitchcock's classic films of the 1950s, he produced (1960) about a lonely, mother-fixated Psycho motel owner and taxidermist. J. Lee Thompson's (1962), with Cape Fear Robert Mitchum, had a menacing ex-con seeking revenge. A famous thriller at the time of its release was (1967) by director Wait Until Dark Terence Young, with Audrey Hepburn as a victimized blind woman in her Manhattan apartment.
The 1970s saw an increase of violence in the thriller genre, beginning with Canadian director
Ted Kotcheff's (1971), which almost completely overlapped with the horror genre, and Wake in Fright (1972), Hitchcock's first British film in almost two decades, which was given an R rating for its vicious and explicit strangulation scene.
One of the first films about a fan's being disturbingly obsessed with their idol was
Clint Eastwood's directorial debut, (1971), about a California disc jockey pursued by a disturbed female listener ( Play Misty for Me Jessica Walter). John Boorman's (1972) followed the perilous fate of four Southern businessmen during a weekend's trip. In Deliverance Francis Ford Coppola's (1974), a bugging-device expert ( The Conversation Gene Hackman) systematically uncovered a covert murder while he himself was being spied upon.
Alan Pakula's (1974) told of a conspiracy, led by the Parallax Corporation, surrounding the assassination of a presidential-candidate The Parallax View US Senator that was witnessed by investigative reporter Joseph Frady ( Warren Beatty). Peter Hyam's science fiction thriller (1978) proposed a government conspiracy to fake the first mission to Capricorn One Mars.
Brian De Palma usually had themes of guilt, voyeurism, paranoia, and obsession in his films, as well as such plot elements as killing off a main character early on, switching points of view, and dream-like sequences. His notable films include (1973); Sisters (1976), which was slightly inspired by Obsession Vertigo; (1980); and the assassination thriller Dressed to Kill (1981).
In the early 1990s, thrillers had recurring elements of obsession and trapped protagonists who must find a way to escape the clutches of the villain—these devices influenced a number of thrillers in the following years.
Rob Reiner's (1990), based on a book by Misery Stephen King, featured Kathy Bates as an unbalanced fan who terrorizes an incapacitated author ( James Caan) who is in her care. Other films include Curtis Hanson's (1992) and The Hand That Rocks the Cradle (1992), starring Unlawful Entry Ray Liotta.
Detectives/FBI agents hunting down a serial killer was another popular motif in the 1990s. A famous example is
Jonathan Demme's Best Picture–winning crime thriller (1991)—in which young The Silence of the Lambs FBI agent Clarice Starling ( Jodie Foster) engages in a psychological conflict with a cannibalistic psychiatrist named Hannibal Lecter ( Anthony Hopkins) while tracking down transgender serial killer Buffalo Bill—and David Fincher's crime thriller (1995), about the search for a serial killer who re-enacts the Seven seven deadly sins.
Another notable example is
Martin Scorsese's neo-noir psychological thriller (2010), in which a U.S. Marshal must investigate a psychiatric facility after one of the patients inexplicably disappears.
In recent years, thrillers have often overlapped with the horror genre, having more gore/sadistic violence, brutality, terror and frightening scenes. The recent films in which this has occurred include
(2008), Eden Lake (2009), The Last House on the Left (2007), P2 (2007), Captivity (2007), and Vacancy A Quiet Place (2018). Action scenes have also gotten more elaborate in the thriller genre. Films such as (2011), Unknown (2005), and Hostage (2004) have crossed over into the action genre.
The thriller film genre includes the following sub-genres:
Action thriller: A subgenre of both action film and thriller in which the protagonist confronts dangerous adversaries, obstacles, or situations which he/she must conquer, normally in an action setting. Action thrillers usually feature a race against the clock, weapons and explosions, frequent violence, and a clear antagonist. Examples include  , Dirty Harry , Taken  , The Fugitive  , Snakes on a Plane , Speed , The Dark Knight , Casino Royale  , The Hurt Locker  , The Terminator , the Battle Royale series, and the Die Hard series. Bourne 
: A genre that combines elements of humor with suspense. Such films include Comedy thriller , Silver Streak , Dr. Strangelove , Charade , Kiss Kiss Bang Bang , In Bruges , Mr. and Mrs. Smith , Grosse Point Blank , The Thin Man , and The Big Fix . The Lady Vanishes
: A genre in which the hero/heroine confronts a large, powerful group of enemies whose true extent only s/he recognizes. Conspiracy thriller and The Chancellor Manuscript The Aquitaine Progression by Robert Ludlum fall into this category, as do films such as , Awake , Snake Eyes , The Da Vinci Code , Edge of Darkness  , Absolute Power , Marathon Man , In the Line of Fire , and Capricorn One . JFK 
: This genre is a hybrid type of both Crime thriller crime films and thrillers, which offers a suspenseful account of a successful or failed crime or crimes. Such films often focus on the criminal(s) rather than a policeman. Central topics include serial killers/murders, robberies, chases, shootouts, heists, and double-crosses. Some examples of crime thrillers involving murderers are , Seven  , No Country for Old Men , Heat , New Jack City , Untraceable , Mindhunters ,  Kiss the Girls , Along Came a Spider , Collateral , and Copycat . Examples of crime thrillers involving heists or robberies are  The Asphalt Jungle ,  The Score ,  Rififi , Entrapment ,  Heat , and The Killing .
: A type of thriller that has an emphasis on Erotic thriller eroticism and where a sexual relationship plays an important role in the plot. It has become popular since the 1980s and the rise of VCR market penetration. The genre includes such films as , Sea of Love , Basic Instinct  , Chloe , Color of Night , Dressed to Kill , Eyes Wide Shut , In the Cut , and Lust, Caution . Single White Female
: An Italian thriller subgenre that combines elements of Giallo mystery, thriller, slasher, and psychological horror. It deals with an unknown killer murdering people, with the main protagonist having to find out who the killer is. The genre was popular during the late 1960s-late 1970s and is still being produced today, albeit less commonly. Examples include , The Girl Who Knew Too Much , Blood and Black Lace , Deep Red , The Red Queen Kills Seven Times , Don't Torture a Duckling , Tenebrae , and Opera . Sleepless
: A suspense film in which the major characters are lawyers and their employees. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. Examples include Legal thriller , The Pelican Brief , Presumed Innocent , The Jury , The Client , The Lincoln Lawyer , and Hostile Witness . Silent Witness
: A type of film in which the hero/heroine must ensure the stability of the government. The success of Political thriller (1962) by Seven Days in May Fletcher Knebel, (1971) by The Day of the Jackal Frederick Forsyth, and (1959) by The Manchurian Candidate Richard Condon established this subgenre. Other examples include , Topaz , Notorious , The Man Who Knew Too Much , The Interpreter  , Proof of Life  , and State of Play The Ghost Writer.
: In this type of film (until the often violent resolution), the conflict between the main characters is mental and emotional rather than physical. Characters, either by accident or their own curiousness, are dragged into a dangerous conflict or situation that they are not prepared to resolve. To overcome their brutish enemies characters are reliant not on physical strength but on their mental resources. This subgenre usually has elements of Psychological thriller drama, as there is an in-depth development of realistic characters who must deal with emotional struggles. The  Alfred Hitchcock films , Suspicion , and Shadow of a Doubt , as well as Strangers on a Train David Lynch's bizarre and influential , are notable examples of the type, as are Blue Velvet , The Talented Mr. Ripley , The Machinist  , Flightplan , Shutter Island , Secret Window , Identity , Gone Girl , Red Eye  , Phone Booth , Fatal Attraction , The River Wild  , Panic Room  , Misery , and Cape Fear Funny Games. 
: A type of thriller that uses suspense to augment attention to abuses of power and instances of oppression in society. This new subgenre gained notoriety in 2017 with the release of Social thriller . Get Out 
: A film in which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre often deals with the subject of espionage in a realistic way (as in the adaptations of Spy film John Le Carré's novels). It is a significant aspect of British cinema, with leading British directors such as  Alfred Hitchcock and Carol Reed making notable contributions, and many films set in the British Secret Service. Thrillers within this subgenre include  , Spy Game , Hanna , Traitor , Tinker Tailor Soldier Spy , The Tourist , The Parallax View , The Tailor of Panama , Mission Impossible , Unknown , the The Recruit James Bond franchise, , The Debt , and The Good Shepherd . Three Days of the Condor 
: Films that include an otherworldly element (such as fantasy or the Supernatural thriller supernatural) mixed with tension, suspense, or plot twists. Sometimes the protagonist or villain has some psychic ability and superpowers. Examples include , Fallen  , Frequency , In Dreams  , Flatliners , Jacob's Ladder , The Skeleton Key  , What Lies Beneath , Unbreakable , The Sixth Sense  , The Gift  , and The Dead Zone . Horns  : A suspenseful film in which the manipulation of sophisticated technology plays a prominent part. Examples include Techno-thriller , The Thirteenth Floor , I, Robot , Source Code , Eagle Eye , Supernova , Hackers , The Net , Futureworld , and eXistenZ . Virtuosity
Konigsberg 1997, p. 421
Konigsberg 1997, p. 404
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