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|The Kids Are All Right|
Theatrical release poster
|Directed by||Lisa Cholodenko|
|Produced by||Gary Gilbert
Daniela Taplin Lundberg
|Written by||Lisa Cholodenko
|Music by||Carter Burwell|
|Edited by||Jeffrey M. Werner|
|Distributed by||Focus Features|
|Box office||$34.7 million|
The Kids Are All Right is a 2010 American comedy-drama film directed by Lisa Cholodenko and written by Cholodenko and Stuart Blumberg. It is among the first mainstream movies to show a married lesbian couple raising two teenagers. A hit at the 2010 Sundance Film Festival, it opened in limited release on July 9, 2010, expanding to more theaters on July 30, 2010. It was released on DVD and Blu-ray on November 16, 2010. The film was awarded the Golden Globe Award for Best Motion Picture - Musical or Comedy, and Annette Bening was awarded the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy. The film also received four Academy Award nominations, including one for Best Picture, at the 83rd Academy Awards.
Nic (Annette Bening) and Jules (Julianne Moore) are a married lesbian couple living in the Los Angeles area. Nic is an obstetrician, and Jules is a housewife who is starting up a landscape design business. Each has given birth to a child using the same sperm donor.
The younger child Laser (Josh Hutcherson) wants to find his sperm donor father but has to be 18 to do so. He implores his 18-year-old sister, Joni (Mia Wasikowska), to contact the sperm bank which identifies Paul (Mark Ruffalo) as the donor. The three meet. Joni is impressed by his bohemian lifestyle, and Paul becomes enthusiastic about being in their lives. Joni swears her brother to secrecy as she does not want to upset their mothers. However, Jules and Nic find out and invite Paul over to dinner. When Jules reveals she has a landscape business, Paul asks her to transform his back garden. Jules agrees, although Nic does not like the idea.
While working for Paul, Jules likes that he appreciates her work in contrast to Nic who, Jules feels, never supported her career. Jules impulsively kisses Paul one afternoon, and they end up in bed together, beginning an affair.
Jules and the kids start spending more time with Paul. Nic believes Paul undermines her authority over the children by, for example, giving Joni a ride on his motorcycle—which Nic has forbidden—and by suggesting she give Joni more freedom. After a heated argument with Jules, Nic suggests they all have dinner at Paul's house to ease the tension. Nic relaxes and for the first time connects with Paul. However, Nic discovers traces of Jules's hair in Paul's bathroom and bedroom. When they return home, Nic confronts Jules. At first, Jules denies it but then admits to the affair. Nic is devastated, but Jules assures she is not in love with Paul and has not turned straight; she just wanted to be appreciated. Joni and Laser have overheard the arguments and are also upset at Jules. The household becomes tense and Jules is forced to sleep on the couch. Paul thinks he has fallen in love with Jules and suggests she leave Nic, bring the kids, and come live with him. Jules declines, disgusted with Paul's lack of understanding about their relationship. The children are angry at both of them.
The night before Joni leaves home to go to college, Paul turns up at the house. Nic angrily confronts him and tells him that if he wants a family, he should make one of his own. Rejected, Paul watches Laser from outside the window, trying to get his attention, but Laser ignores him. Later that night, Jules tearfully admits her errors to her family and begs their forgiveness. The next morning, the family takes Joni off to college. While Nic and Jules together hug Joni to say goodbye, they also affectionately touch each other. During the ride home, Laser tells his mothers that they should not break up because they are too old. Jules and Nic giggle, and the film ends with them smiling at each other and holding hands.
Lisa Cholodenko and Blumberg began outlining the script in late 2004, based in part on some aspects of her life. The project was helped to get off the ground by the caliber of actors who agreed to join, first Julianne Moore, followed by Mark Ruffalo and Annette Bening. Cholodenko stated, "People really admired what Stuart [Blumberg] and I got on the page but there was a fear factor regarding how the film was going to make money, as the subject matter is tricky." The film nearly got the green-light in 2006, but Cholodenko postponed the project after she became pregnant by way of an anonymous sperm donor. After giving birth, she resumed work on the film and won financing from three major investors, including the French distributor UGC.
Principal photography was completed in 23 days in Los Angeles in July 2009. The film was made for approximately $4 million. The filmmakers rushed to finish the post-production in time for the Sundance Film Festival, where it was admitted after the deadline for competitive entries. On January 25, 2010 the film had its premiere, becoming one of the festival's breakout hits. A few days later, Focus Features acquired the distribution rights for $4.8 million. At the 60th Berlinale the film won a Teddy Award. The film closed the 2010 Sydney Film Festival and opened the Los Angeles Film Festival.
Opening in limited release at seven theaters, The Kids Are All Right grossed $491,971 in its first weekend. At $70,282 per theater, the film scored the highest average gross in 2010 as of mid-July 2010. It expanded to 38 theaters on July 16, then 201 on July 23, and finally 847 on July 30. As of December 20, 2010[update], the film grossed a total of $34,705,850 worldwide.
The film was released to wide acclaim from critics, with Bening receiving widespread praise for her performance. Review aggregator Rotten Tomatoes reports that 93% of critics have given the film a positive review based on 211 reviews. The site's consensus is that "Worthwhile as both a well-acted ensemble piece and as a smart, warm statement on family values, The Kids Are All Right is remarkable." Metacritic, which assigns a weighted average score out of 1–100 reviews from film critics, has a rating score of 86 based on 39 reviews, with the film in the "universal acclaim" category. Roger Ebert gave the film 3½ stars out of 4 and wrote, ""The Kids Are All Right” centers on a lesbian marriage, but is not about one. It's a film about marriage itself, an institution with challenges that are universal. Just imagine: You're expected to live much, if not all, of your married life with another adult. We're not raised for this." The film appeared on 39 critics' top ten movie lists for the year 2010. Anthony Quinn of The Independent and Elizabeth Weitzman of the Daily News both listed it as the best film of the year, while four other critics picked it as the second best movie of the year.
Annette Bening won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and the film won the Golden Globe Award for Best Motion Picture – Musical or Comedy. Nominations were also given to Julianne Moore for Best Actress and Lisa Cholodenko and Stuart Blumberg for Best Screenplay. Moore and Bening were both nominated for the BAFTA Award for Best Actress in a Leading Role, and Mark Ruffalo was nominated for the BAFTA Award for Best Actor in a Supporting Role. Cholodenko and Blumberg were also nominees for Best Original Screenplay. The film was nominated for Best Picture at the 83rd Academy Awards. Bening and Ruffalo were nominated for Best Actress and Best Supporting Actor respectively. Cholodenko and Blumberg were also nominated for Best Original Screenplay. Laura Rosenthal and Liz Dean won the Artios Award for Outstanding Achievement in Casting – Feature – Studio or Independent Comedy, given by the Casting Society of America.
The Kids Are All Right was listed on many critics' top ten lists.
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