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|The Invisible Woman|
Theatrical release poster
|Directed by||Ralph Fiennes|
|Written by||Abi Morgan|
The Invisible Woman|
by Claire Tomalin
|Music by||Ilan Eshkeri|
|Edited by||Nicolas Gaster|
|Distributed by||Sony Pictures Classics|
|Box office||$3.2 million|
The Invisible Woman is a 2013 British biographical drama film directed by Ralph Fiennes and starring Fiennes, Felicity Jones, Kristin Scott Thomas and Tom Hollander. Written by Abi Morgan, and based on the book of the same name by Claire Tomalin, the film is about the secret love affair between Charles Dickens and Nelly Ternan, which lasted for thirteen years until his death in 1870. The film premiered at the Telluride Film Festival on 31 August 2013, and was released in the United Kingdom on 7 February 2014. The film received a Best Costume Design nomination (Michael O'Connor) at the 86th Academy Awards.
In 1857,[Note 1] eighteen-year-old English actress Ellen "Nelly" Ternan (Felicity Jones) is noticed by forty-five-year-old writer Charles Dickens (Ralph Fiennes) while she is performing at London's Haymarket Theatre. Soon after, he casts her, along with her mother (Kristin Scott Thomas) and sister Maria (Perdita Weeks), in a performance of The Frozen Deep by Wilkie Collins at Dickens's Free Trade Hall in Manchester. At a party following the performance, the famous author and the actress share a brief moment alone.
Sometime later, Nelly and her family attend one of Dickens's readings at the Harrow Speech Room in London. Afterwards, Dickens is delighted to see Nelly again. Soon after, Dickens takes the Ternan family to Doncaster Racecourse and begins to spend more time with them. Having become disillusioned with his wife, who does not share his energy and passion for literature and ideas, Dickens cherishes his time with the young actress who shares his interests and passions. Nelly in turn loves spending time with the famous novelist.
One day, Dickens walks from his Gads Hill Place country home to East London to see Nelly perform in a play. Afterwards her mother invites him back to their modest cottage for a visit. Noticing the shared looks between Dickens and her daughter, Mrs. Ternan later cautions him that she cannot afford to put her daughter's reputation at risk. Dickens assures her that he has no intention of compromising her good name. After organizing a reading and fundraiser to benefit London's "fallen women" and their children, Dickens invites the Ternan family to his home, where Nelly examines with fascination the author's books, manuscripts, and writing instruments. When they are alone, they share details and secrets about their lives and upbringings, and the two grow closer.
Later, Mrs. Ternan confides to her daughter Maria her feelings about the growing bond between Nelly and Dickens, and that their relationship may offer Nelly the kind of stable future she would not find in the theatre, knowing that Nelly is not as talented as her sisters. Nelly overhears the conversation and is angered and confused by her mother's plans for her to become the mistress of a married man. Soon after, Dickens's wife Catherine (Joanna Scanlan) visits Nelly at her home to deliver a jewelled bracelet birthday gift from her husband, which was delivered to her by mistake.
After the birthday party, Dickens and Collins arrive and take her to the house that Collins shares with his mistress Caroline Graves (Michelle Fairley) and her daughter. There, Nelly sees the kind of arrangement Dickens may have in mind for her. Later in the carriage outside her cottage, she confronts Dickens about the suggested arrangement and objects to the idea of being his "whore". After apologizing and confessing that he no longer loves his wife, Dickens accompanies Nelly inside where he comforts her. Soon after, Dickens announces in The Times his "amicable" separation from his wife while boldly denying the rumours of an affair with Nelly. Dickens's wife and children are devastated by the news.
In the coming days, Nelly's mother assures her that he is an "honourable man", while Collins reminds her that he is a "great man" and urges her to break with old conventions. When she visits Dickens at his home, he assures her that he has broken with the past and shows her the manuscript of a new novel that he's just completed, Great Expectations. After reading it, she expresses her approval of the ending which does not bring Estella and Pip together. Dickens reads to her from the novel as if speaking directly to her:
You have been in every prospect I have ever seen since,—on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with ... Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil.
Dickens and Nelly become lovers and she finds happiness as his mistress and companion. They spend time in France and soon she becomes pregnant, but the child dies during childbirth. After saving a lock of the child's hair, Dickens signs the death certificate "M. Charles Tringham". Shortly after returning to England from France in the spring of 1865, Dickens and Nelly board a train at Folkestone headed for London. Near Staplehurst in Kent, the train derails killing ten passengers. Dickens rescues Nelly, and then, with her encouragement, pretends that he was travelling alone, to avoid the scandal of it being known they were travelling together. Dickens leaves Nelly in the care of others, and tends to the injured and dying along the train. Nelly observes him retrieve a manuscript page of an episode of Our Mutual Friend on which he had been working.
In the coming years, Nelly remains his secret mistress until his death in 1870. In 1876, she marries Oxford graduate George Wharton Robinson, twelve years her junior. The couple have a son and run a boys' school at Margate. While knowing that she knew Charles Dickens as a child, George does not suspect that she was his mistress. Only the Reverend Benham knows her secret. As she watches her son perform in a school play, she remembers the epilogue lines she spoke on stage in The Frozen Deep for Dickens:
This is a tale of woe, this is a tale of sorrow, a love denied, a love restored to live beyond tomorrow. Lest we think silence is the place to hide a heavy heart, remember to love and be loved is life itself, without which we are naught.
Headline Pictures' Stewart Mackinnon first acquired the film rights to Claire Tomalin's biography and commissioned Abi Morgan to write the screenplay with development funding from BBC Films and the British Film Institute. The screenplay was written and Mackinnon then approached a number of co-producers and directors before contracting Gabrielle Tana, who had worked with Fiennes on Coriolanus, his directorial debut. She proposed the project to Fiennes in 2010, after he finished Coriolanus.:8 Headline then contracted Fiennes and Tana. Fiennes' participation as director was announced in July 2011. He did not know much about Dickens before taking on the project: "I was ignorant. I had only read Little Dorrit. I knew his obvious ones—Nicholas Nickleby, Oliver Twist, Great Expectations—through adaptations. And Christmas Carol. I didn't know much about the man."
Fiennes initially approached another actor to play the role of Dickens but it did not work out and he eventually played the part. He worked closely with Abi Morgan on the script and little by little he warmed to the idea of playing Dickens. Fiennes and Morgan often met with Tomalin who provided guidance, but she wished to remain outside the actual screenwriting.:9–10 The screenplay is structured around a series of "small tragedies and moments of catalyst" described in Tomalin's book, which defined their affair according to her.:10 The actresses considered for the role of Nelly Ternan included Carey Mulligan, Abbie Cornish and Felicity Jones. Jones was officially cast in December 2011. Her casting occurred before Fiennes agreed to portray Dickens.:13
Principal photography began in April 2012 with a planned filming schedule of ten weeks in Kent and London. Exteriors were shot near Margate, where the story is set, on Camber Sands.:15 Filming also took place for two days at Leavesden Film Studios in Hertfordshire.:13  The Bluebell Railway in Sussex was used for exteriors of the derailment, and featured the Furness Railway Trust's No. 20, the oldest operational standard gauge locomotive in the UK.:17
The film had an operating budget of £12 million.
The Invisible Woman premiered at the Telluride Film Festival on 31 August 2013. The first trailer was launched on 4 October 2013. The film had a limited release in the United States on 25 December 2013 and opened in the United Kingdom on 7 February 2014.
Review aggregator Rotten Tomatoes calculated a 76% approval rating, with an average score of 6.8/10, based on 142 reviews. The website's consensus reads, "Its deliberate pace will frustrate some viewers, but for fans of handsomely mounted period drama, The Invisible Woman offers visual as well as emotional cinematic nourishment." On another review aggregator, Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the film holds an average score of 75, based on 41 reviews, considered to be "generally favorable reviews".
In his review on the Roger Ebert website, Godfrey Cheshire gave the film three and a half out of four stars, calling it "a formidable achievement for Fiennes as both actor and director". Cheshire wrote that the story is told with "extraordinary delicacy and cinematic intelligence" and with a "finely calibrated poetic obliqueness that draws the viewer into the relationship's gradual unfolding". Cheshire continued:
In Fiennes' handling, very little is stated in a straightforward or obvious way. It's almost as if he took Abi Morgan's screenplay ... and stripped away its most utilitarian dialogue, leaving only hints and suggestions of emotions that then must be fleshed out by the actors. The method ... makes for a narrative that's constantly evocative, mysterious, almost impressionistic, and that involves the viewer in the pleasurably engrossing game of puzzling out the characters' aim and motives.
Cheshire also praised the performances of the leading actors, including Fiennes who "creates an exuberant portrait of Dickens that encompasses his vanity and selfishness as well as his bounteousness and thirst for life", Jones who is "luminous" and "conveys the young woman's mix of awe, intoxication and anxiety as she is drawn inexorably into the orbit of a powerful older man", and Scanlan who shows Catherine Dickens' "dignity and grace in heart-rending circumstances". Cheshire concluded:
The Invisible Woman is one of those evanescent conjurings of a bygone time in which every part serves the whole. The most entrancing and persuasive evocation of Victorian England offered in any recent film, it reflects superb work on the parts of many contributors.
In his review for The Guardian, Peter Bradshaw gave the film four out of five stars, calling the film "piercingly intimate and intelligent" and praises Fiennes for his "strength as a director" and for his "richly sanguine" portrayal of Charles Dickens. Bradshaw also praises Scanlan for her "shrewd and sensitive performance as Dickens's neglected wife". Bradshaw concluded, "This is an engrossing drama, with excellent performances and tremendous design by Maria Djurkovic."
In his review for The Telegraph, Tim Robey gave the film four out of five stars. Robey focused on the acting performances, especially Scanlan who "gives arguably the standout performance in this generally smashing cast ... in two perfectly weighted, emotionally crushing scenes".
In his review in the New York Observer, Rex Reed called the film "a cogently written and elegantly appointed period piece that relates passages in his books to emotions in his personal life, holding the attention and shedding light on one of literature’s most fascinating footnotes".
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