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Martial artists presenting taekkyeon for Hi! Seoul Festival on April 28, 2007
|Also known as||Taekgyeon, Taekkyeon.|
|Focus||Kicks, trips, throws|
|Country of origin||Korea|
|Official website||Several associations|
Taekkyon is a traditional Korean martial art first explicitly recorded during the Joseon Dynasty. Taekkyeon is characterized by fluid, dynamic foot movement called "pum balgi" or Stepping-on-Triangles.
Taekkyon is concerned with applying both the hands and feet at the same time to unbalance, trip, or throw the opponent. Hands and feet are always used together.
Taekkyon has many leg and whole-body techniques with fully integrated armwork. Although taekkyeon primarily utilizes kicking, punching, and arm strikes thrown from a mobile stance and does not provide a framework for groundfighting, it does incorporate a variety of different throws, takedowns, and grappling techniques to complement its striking focus. The martial art is frequently romanized informally as Taekgyeon, Taekkyon, or Taekyun.
Around 1900 Taekkyon was practiced frequently around Hanyang (Seoul), the capital city of the Joseon Dynasty. Song Duk-ki (1893–1987) was critically responsible for conveying the art. In the foreword of his only book, he writes: "It cannot be said for sure when and how taekkyon came into existence, but until the end of the Korean kingdom, certain people did taekkyon together."
Taekkyeon matches were frequent in the late Joseon Dynasty. For example, during the Dano-Festival, a tournament called Gyeollyeon (결련) was carried out. Players who beat five opponents consecutively could take a rest and re-enter the tournament again later.
Taekkyeon is documented as a living martial art in an 1895 book on Korean sports and games.
In the book "Haedong Jukji" by Choe Yeong-nyeon (최영년, Hanja: 崔永年) from 1921, the idu-writing 托肩 is used to represent "Tak-gyeon". The translation of 托肩 is "push-shoulder". However this does not mean that the translation of Taekkyon is "push the shoulder", because idu is just a way to phonetically write pure Korean words with Chinese characters. At the same time, all the arm techniques of taekkyeon are generated from a shoulder movement first, by whipping the entire arm out. When fighting, there are numerous ways Taekkyeon pushes and pulls an opponent by the shoulders. Also in this book, there's a poem and a non-fictional text about Taekkyon, calling it lyrically "flying leg technique" (bi-gak-sul, 비각술, 飛脚術).
Taekkyeon is also depicted in the image "Dae Kwae Do" (Hangeul 대쾌도, Hanja 大快圖) which was painted around 1850 by Hyesan Yu Suk (Hangeul 유숙, Hanja 劉淑). It shows Ssireum above and Taekkyeon below. Both combat sports were often done together at festivals, so Hyesan painted a lively scene with people from all social levels. The right Taekkyon player wears a coat called "Dopo" and ties their clothes together in order to have more freedom of motion. A Dopo was only worn by scholars (Seonbi, 선비). Soldiers are watching the games as well as ordinary people (Sangmin, 상민) which can be identified by their clothes (white hanbok) and behaviour. For instance, one of the lower class men at the left turned up his trouser legs, which was not considered good manners by the upper classes.
Taekkyeon took a severe blow when Neo-Confucianism grew in popularity, and then the Japanese occupation nearly made the art extinct. Taekkyeon has enjoyed a resurgence in the decades following the end of the Japanese colonial period in 1945. The last Taekkyeon Master from the Joseon-dynasty, Song Duk-Ki, maintained his practice of the Art throughout the Japanese occupation and subsequently laid the seeds for the arts' regeneration. The style he practiced was called Widae (high-village). On June 1, 1983, taekkyeon was given the classification as Important Intangible Cultural Asset No. 76" by the Korean government (중요무형문화재 제76호). It is the only Korean martial art which possesses such a classification.
Taekkyeon contains many kinds of techniques, including hand and leg techniques as well as joint locks, throws and head butts. The whole body is used in each movement. Taekkyeon teaches a great variety of kicks, especially low kicks, knees, jumps. The basic steps are geometric and at the core of all advanced movement. All movements are natural to the human body.
The movements of Taekkyon are fluid with the practitioners constantly moving. One of its most striking characteristics is the motion called gumsil or ogeum jil: It is a constant bending and stretching of one's knees, giving the art a dance-like appearance. This motion is also used in the Korea mask dance talchum, so both arts look similar in a way. Taekkeyon does not make use of abrupt knee motions. The principles and methods used to extend the kick put more emphasis on grace and alignment for whole-body strength, as with the arm motions.
In competition, the players must use a foot work called pumbalkki (품밟기) which looks like a dance. The meaning of pumbalkki is "to step the pum". Pum refers to the triangular look of the hanja 品, as pumbalkki has a triangular form as well. The hanja pum means "level" or "goods", but it is used only because of its shape, not because of its meaning.
There are evolving forms in Taekkyeon. One form can be performed many different ways with its variations over the basic ten-year training period. The curriculum is adjustable within the traditional system. Masters may create their own personalized approach for teaching the basic Taekkyeon system.
Taekkyeon uses high, medium and low kicks. Sweeps with straight forward low kicks using the ball of the foot and the heel and flowing crescent-like high kicks. There are many kicks that move the leg outward from the middle, which is called gyeot chagi, and inward from the outside using the side of the heels and the side of the feet. The art also uses tricks like inward trips, wall-jumping, fake-outs, tempo, and slide-stepping. The art is also like a dance in which the fighter constantly changes stance from left to right by stepping forward and backwards with arms up and ready to guard, blending arm movements with leg.
When Taekkyeon is practiced in competition, it uses a limited subset of techniques, focusing on grappling and kicking only. Points are scored by throwing (or tripping) the opponent to the ground, pushing him out of the ring, or kicking him in the head. There are no hand strikes or headbutts, and purposefully injuring your opponent is prohibited. The head kicks are often quite sharp, but usually not full force, and fighters may not attempt to wear the opponent down with body blows as in western boxing or muay thai. Matches are sometimes decided by the best of three falls—the first fighter to score two points wins. However, different modern associations employ slightly different rules. To an untrained eye, the matches are cautious but exhilarating affairs. The contestants circle each other warily, changing their footwork constantly using pumbalkki and feinting with low kicks, before exploding into a flurry of action which might leave one fighter flat on his/her back.
Shin Han-seung sought out Song Duk-ki to learn Taekkyon from him. Song Duk-ki was old at the time and taught him in a some what disarranged way. It was Shin Han-seung whom took these teachings, and organised them into what we see as modern Taekkyon today.
Grandmaster Shin Han-Seung was his successor, and was given living national treasure status by the South Korean government.
When Grandmaster Shin Han-seung passed away, Jeong Gyeong-hwa was given living national treasure status by the Korean government.
Since this time, several Taekkyeon organisations with different focuses are active.
The only authorized Taekkyeon organisations are:
Taekkyeon is taking root in other nations around the world with organizations in:
|Wikimedia Commons has media related to Taekkyeon.|