|History of literature|
|Modern by century|
Sanskrit literature refers to texts composed in Sanskrit language since the 2nd-millennium BCE. Many of the prominent texts are associated with Indian religions, i.e., Hinduism, Buddhism, and Jainism, and were composed in ancient India. However, others were composed central, East or Southeast Asia and the canon includes works covering secular sciences and the arts. Early works of Sanskrit literature were transmitted through an oral tradition for centuries before they were written down in manuscript form.
Dramas, poems and stories were written in Sanskrit language in ancient India. Some of the popular one's are: Panchatantra, Hitopadesha, Rajatarangini, Dashakumaracharita, Mrichakatika, Mudrarakshasa, Ratnavali, Nagananda, Priyadarsika, Mattavilasa Prahasana, Baital Pachisi, Singhasan Battisi (Siṃhāsana Dvātriṃśikā).
Bhasa's Svapna Vasavadattam (Swapnavāsadatta) ("Vasavadatta's dream"), Pancharātra, and Pratijna Yaugandharayaanam ("The vows of Yaugandharayana"), Pratimanātaka, Abhishekanātaka, Bālacharita, Dūtavākya, Karnabhāra, Dūtaghatotkacha, Chārudatta, Madhyamavyayoga and Urubhanga.
Kalidasa's Vikramōrvaśīyam ("Vikrama and Urvashi"), Mālavikāgnimitram ("Malavika and Agnimitra"), Abhijñānaśākuntalam ("The Recognition of Shakuntala"), Raghuvaṃśa ("The Genealogy of Raghu") and Kumarasambhava ("Birth of Kumara"), Ṛtusaṃhāra ("Medley of Seasons") and Meghaduta (The Cloud Messenger).
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|Vedas and their Shakhas|
Hindu Sanskrit texts are manuscripts and historical literature related to any of the diverse traditions of Shruti, namely the Vedas and the early Upanishads. Many scholars include the Bhagavad Gita and Agamas as Hindu scriptures, while Dominic Goodall includes Bhagavata Purana and Yajnavalkya Smriti.
The Smriti Sanskrit texts are a specific body of Hindu texts attributed to an author, as a derivative work they are considered less authoritative than Sruti in Hinduism. The Smrti literature is a vast corpus of diverse texts, and includes but is not limited to Vedāngas, the Hindu epics, the Sutras and Shastras, the texts of Hindu philosophies, the Puranas, the Kāvya or poetical literature, the Bhasyas, and numerous Nibandhas (digests) covering politics, ethics, culture, arts and society.
Many ancient and medieval Hindu texts were composed in Sanskrit, many others in regional Indian languages. In modern times, most ancient texts have been translated into other Indian languages and some in Western languages. Prior to the start of the common era, the Hindu texts were composed orally, then memorized and transmitted orally, from one generation to next, for more than a millennium before they were written down into manuscripts. This verbal tradition of preserving and transmitting Hindu texts, from one generation to next, continued into the modern era.
Mattavilasa Prahasana (Devanagari:मत्तविलासप्रहसन), (English: A Farce of Drunken Sport) is a short one-act Sanskrit play. It is one of the two great one act plays written by Pallava King Mahendravarman I (571– 630CE) in the beginning of the seventh century in Tamil Nadu.
Madura Vijayam (Sanskrit: मधुरा विजयं), (English: The Conquest of Madurai), is a 14th-century C.E Sanskrit poem written by the poet Gangadevi. It is also named Vira Kamparaya Charitham by the poet. It chronicles the life of Kumara Kampanna Udayar or Kumara Kampanna II, a prince of the Vijayanagara Empire and the second son of Bukka Raya I. The poem describes in detail, the invasion and conquest of the Madurai Sultanate by the Vijayanagara empire.
Tattvartha Sutra is a Jain text written in the Sanskrit language. It is regarded as one of the earliest, most authoritative books on Jainism, and the only text authoritative in both the Digambara and Śvētāmbara sects.Shant Sudharas Bhavana is a famous book in Jainism written by Jain monk Vinay Vijay also called as Yashovijay.
Literature in Sanskrit continues to be produced. These works, however, have a very small readership. In the introduction to Ṣoḍaśī: An Anthology of Contemporary Sanskrit Poets (1992), Radhavallabh Tripathi writes:
Sanskrit is known for its classical literature, even though the creative activity in this language has continued without pause from the medieval age till today. [...] Consequently, contemporary Sanskrit writing suffers from a prevailing negligence.
Most current Sanskrit poets are employed as teachers, either pandits in pāṭhaśālas or university professors. However, Tripathi also points out the abundance of contemporary Sanskrit literature:
On the other hand, the number of authors who appear to be very enthusiastic about writing in Sanskrit during these days is not negligible. [...] Dr. Ramji Upadhyaya in his treatise on modern Sanskrit drama has discussed more than 400 Sanskrit plays written and published during the nineteenth and twentieth centuries. In a thesis dealing with Sanskrit mahākāvyas written in a single decade, 1961–1970, the researcher has noted 52 Sanskrit mahākāvyas (epic poems) produced in that very decade.
Similarly, Prajapati (2005), in Post-Independence Sanskrit Literature: A Critical Survey, estimates that more than 3000 Sanskrit works were composed in the period after Indian Independence (i.e., since 1947) alone. Further, much of this work is judged as being of high quality, both in comparison to classical Sanskrit literature, and to modern literature in other Indian languages.
Since 1967, the Sahitya Akademi, India's national academy of letters, has had an award for the best creative work written that year in Sanskrit. In 2009, Satyavrat Shastri became the first Sanskrit author to win the Jnanpith Award, India's highest literary award. Vidyadhar Shastri wrote two epic poems (Mahakavya), seven shorter poems, three plays and three songs of praise (stavana kavya), he received the Vidyavachaspati award in 1962. Some other modern Sanskrit composers include Abhiraj Rajendra Mishra (known as Triveṇī Kavi, composer of short stories and several other genres of Sanskrit literature), Jagadguru Rambhadracharya (known as Kavikularatna, composer of two epics, several minor works and commentaries on Prasthānatrayī).
Another great Sanskrit epic that remained largely unrecognised till lately is "Dhruv Charitra" written by Pandit Surya Dev Mishra in 1946. He won laurels of appreciation by renowned Hindi and Sanskrit critics like Hazari Prasad Dwiedi, Ayodhya Singh Upadhyay "Hariaudh", Suryakant tripathi "Nirala", Laldhar Tripathi "Pravasi".
Quote: Thus, there is a vast literature available but it seems that Tattvartha Sutra of Umasvati can be regarded as the main philosophical text of the religion and is recognized as authoritative by all Jains."
Contrary to popular belief, there is an astonishing Sanskrit writing is qualitatively of such high order that it can easily be treated on par with the best of Classical Sanskrit literature, It can also easily compete with the writings in other Indian languages.
The latter half of the nineteenth century marks the beginning of a new era in Sanskrit literature. Many of the modern Sanskrit writings are qualitatively of such high order that they can easily be treated at par with the best of classical Sanskrit works, and they can also be judged in contrast to the contemporary literature in other languages.
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