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Morton at the 2008 Edinburgh International Film Festival
Samantha Jane Morton|
13 May 1977
Clifton, Nottingham, Nottinghamshire, England
West Bridgford School|
Central Junior Television Workshop
Charlie Creed-Miles |
Samantha Jane Morton (born 13 May 1977) is an English actress, screenwriter and director. She has received critical acclaim throughout her career and has won a BAFTA Award, one BIFA Award, one Golden Globe Award, and has been nominated once for an Emmy Award and twice for an Academy Award.
Brought up in Nottingham, Morton joined the Central Junior Television Workshop, and soon began her career in British television in 1991. She guest-starred in Soldier Soldier and Cracker and appeared from 1995 to 1996 in the ITV series Band of Gold. She made the transition to film with lead roles in the dramas Emma (1996), Jane Eyre (1997) and the well-received Under the Skin (1997), for which she won the Boston Society of Film Critics Award for Best Actress. The latter made director Woody Allen cast Morton in Sweet and Lowdown (1999), which earned her nominations for the Academy Award and the Golden Globe for Best Supporting Actress.
In the 2000s, Morton continued to draw critical praise for her performances in numerous arthouse and independent films such as Pandaemonium (2000) and Enduring Love (2004). Her role in Morvern Callar (2002) garnered her the BIFA Award for Best Actress, and she received her second Academy Award nomination, this time in the Best Actress category, for In America (2003). She also found mainstream success with the science fiction thriller Minority Report (2002) and starred in River Queen (2005), earning a nomination for the New Zealand Screen Award as Best Actress. For her role as Myra Hindley in 2006's television biopic Longford, she received BAFTA TV Award and Emmy Award nominations and won the Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film. Morton starred in the dramas Control (2007), Mary, Queen of Scots in Elizabeth: The Golden Age (2007), Synecdoche, New York (2008) and The Messenger (2009), and she made her directorial debut with the television film The Unloved (2009), winning the BAFTA TV Award for Best Single Drama.
Her most recent acting credits include the science fiction action film John Carter (2012), the thriller Cosmopolis (2012), the drama Decoding Annie Parker (2013), the period film Miss Julie (2014), the European limited series The Last Panthers (2015), the film adaptation Fantastic Beasts and Where to Find Them (2016), BBC's Rillington Place (2016) and the ITV series Harlots (2017).
Morton was born in Clifton, Nottingham, the third child of Pamela Mallek, a factory worker, and Peter Morton. She has six half-siblings from her parents' relationships, subsequent to their 1979 divorce. She lived with her father until she was eight when she was made a ward of court, because neither of her parents could care for her and her siblings. Her father was an abusive alcoholic and her mother was involved in a violent relationship with her second husband, and as a result, she never lived with her parents again. The next nine years were spent in and out of foster care and children's homes. During that time, she attended West Bridgford Comprehensive School and joined the Central Junior Television Workshop when she was 13, soon being offered small-screen roles in Soldier Soldier and Boon.
In September 2014, Morton, triggered by the Rotherham child sexual exploitation scandal, discussed in a video interview the sexual abuse she experienced while in the foster care system as a child in Nottingham and that the police took no action when she reported the abuse; Morton had discussed the abuse previously while promoting the semi-autobiographical drama, The Unloved in an article for The Guardian. Under the effects of drugs, she threatened an older girl who had been bullying her. She was convicted of making threats to kill, and served 18 weeks in an attendance centre. Morton said in an interview, "as a child I had a serious anger problem, but from the age of 16 I've been trying to turn bad things into positives."
After joining Central Junior Television Workshop at the age of 13, she was soon being offered small-screen roles such as Clare Anderson in the first series of Lucy Gannon's Soldier Soldier and also Mandy, in an episode of Boon —both were ITV Central productions. Moving to London at sixteen, Morton applied to numerous drama schools, including RADA, without success. In 1991 she attended Clarendon College of Performing Arts to gain a BTEC award but subsequently left for personal reasons. She made her stage début at the Royal Court Theatre, and continued her television career with appearances in Peak Practice and in an episode of Cracker. At the time, she had a regular role in the first two series of Kay Mellor's successful Band of Gold (1995–96).
Further television roles followed, including parts in period dramas such as Emma and Jane Eyre. Emma was a film adaptation of the novel of the same name published in 1815 about youthful hubris and the perils of misconstrued romance. The movie received largely positive reviews from critics and was broadcast in late 1996 on ITV, garnering an estimated 12 million viewers. In Jane Eyre, Morton starred as a Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor. Like her previous small-screen projects, the 1997 film originally aired on ITV.
She took on the leading role in the independent drama Under the Skin (1997), directed by Carine Adler, where she played Iris, a woman coping with the death of her mother. The movie garnered favorable reviews from writers, with The Guardian placing it at number 15 on its list of the Best British Films 1984—2009. Janet Maslin for the New York Times remarked that Morton "embodies the role with furious intensity and with a raw yet waifish presence" and James Berardinelli wrote that the actress "forces us to accept Iris as a living, breathing individual". She won the Best Actress accolade at the 1998 Boston Society of Film Critics Awards and was nominated for the BIFA Award for Best Female Performance in a British Independent Film.
Impressed by her performance in Under the Skin, Woody Allen cast her in Sweet and Lowdown, a romantic comedy about a fictional jazz guitarist in the 1930s (played by Sean Penn) who regards himself as the second greatest guitarist in the world. Morton played Hattie, a mute laundress and the love interest of Penn's character. The film was released in September 1999, to wide critical acclaim and moderate success at the box office in the arthouse circuit. George Perry for BBC.com found her to be "extraordinary" as an "adoring mute who suffers [...] She uses her eyes to convey meaning, reviving techniques of silent cinema". Morton earned Academy Award and Golden Globe nominations for Best Supporting Actress for her role, which was especially notable, considering the fact that she does not utter a single word of dialogue in the film. During a 2007 interview with UK's The Guardian, she remarked that the awards recognition, particularly her Oscar nomination, meant "incredible things for me in the [United States]. I'm grateful for that. It means that [...] I'm able to support the industry".
Also in 1999, Morton starred in the indie drama Jesus' Son, which screened at the Toronto International Film Festival and the Telluride Film Festival before receiving a theatrical release in selected theaters the following year. Despite a lukewarm box office reception greeted the film, it garnered praise from critics. She received a Satellite Award nomination for Best Supporting Actress – Motion Picture for her performance. Morton's other film of 1999 was the romantic drama Dreaming of Joseph Lees, an adaptation of a story written by Catherine Linstrum set in rural England in the late 1950s. It premiered at the Chicago International Film Festival and had a limited release in the US. For her part, she won the Evening Standard British Film Award for Best Actress.
In 2000, Morton appeared in the biographical drama Pandaemonium, directed by Julien Temple. She played English author Sara Coleridge in the film, which was based on the early lives of poets Samuel Taylor Coleridge and William Wordsworth. It premiered at the Toronto International Film Festival and was given a UK limited theatrical release in September 2001. She was nominated for a British Independent Film Award in the category of Best Actress. Morton also played a mermaid opposite Larry Mullen in the Anton Corbijn-directed promotional video for U2's "Electrical Storm", and provided the voice of Ruby for the Canadian animated series Max & Ruby from 2002 to 2003. She reprised her voice-over role in several other episodes of the show between 2011 and 2013.
In 2002, Morton took on a part in Steven Spielberg science fiction thriller Minority Report, opposite Tom Cruise. In the film, set in a future where a special police unit is able to arrest murderers before they commit their crimes, Morton played Agatha, a senior precog. Although critics felt she was "slightly typecast" in her role of "feral, near-mute victim", Minority Report was a critical success and grossed US$358 million, emerging as Morton's highest-grossing film until Fantastic Beasts and Where to Find Them (2016). She won the Saturn Award for Best Supporting Actress and the Empire Award for Best British Actress. Morton followed with the title role in the drama Morvern Callar, where she played a grieving young woman from Scotland who decides to escape to Spain after the suicide of her boyfriend. The film was given a UK limited theatrical release in November 2002, to largely favorable reviews. Writing for Rolling Stone, Peter Travers stated that Morton "fills this character study with poetic force and buoyant feeling". She earned the Best Actress Award at the 5th British Independent Film Awards and the 7th Toronto Film Critics Association Awards.
She starred in the independent drama In America, directed by Jim Sheridan and released in 2003. The film, about an immigrant Irish family's struggle to start a new life in New York, saw her play Sarah Sullivan, the mother. In America met widespread critical acclaim, with Terry Lawson of Detroit Free Press calling the film "an achingly intimate and beautifully observed account of the immigrant experience". Roger Ebert felt that Morton "reveals the power of her silences, her quiet [and] her presence", while A.O. Scott, of The New York Times, found the "blunt, inarticulate force of her feeling [...] at the center of the drama". Her performance earned her nominations for the Academy Award, the Independent Spirit Award, and the Broadcast Film Critics Association Award in the category of Best Actress.
Morton starred in the science fiction drama Code 46, directed by Michael Winterbottom and co-starring Tim Robbins. The film, which is a dystopic love story about the implications of current trends in biotechnology, was released in August 2004 in the US, to an overall average reception. She next took on a supporting role in the drama Enduring Love, where she appeared alongside Rhys Ifans and Daniel Craig. The film generated generally mixed reviews from writers, who suggested that Morton did not have enough time on screen. However, she earned a nomination for the Best Supporting Award at the 2004 British Independent Film Awards.
Morton's first film of 2005 was River Queen, where she played Sarah, a young Irish woman who finds herself on both sides of the wars between British and Maori during the British colonisation of New Zealand. The film was a box office success at the New Zealand box office, grossing around NZ$1 million in the country. For her role, she received a nomination for the New Zealand Screen Award for Best Leading Actress. She next starred alongside Johnny Depp in the period drama The Libertine, a commercial bomb widely panned by critics. Her final film role of the year was in Lassie, a family dramedy based on Eric Knight's 1940 novel Lassie Come-Home.
In 2006, she played the Moors murderess Myra Hindley in the television film Longford. Set between 1967 and 1997, the film depicts the relationship between the child murderer and Lord Longford, the politician who spent years campaigning (ultimately unsuccessfully) for her release. Longford was a critical success and premiered with 1.7 million viewers. Morton, however, was severely criticised by the relatives of the children who were killed by Hindley and Ian Brady, but she insisted, "It is my duty as a performer to raise issues...we're afraid to look at". She received a Best Supporting Actress nomination at the 59th Primetime Emmy Awards, and won at the 65th Golden Globe Awards.
2007 saw Morton take on roles in four feature films. She starred with Jason Patric in the romantic drama Expired, screened at the Sundance Film Festival, and portrayed a Marilyn Monroe impersonator in the dramedy Mister Lonely, which was shown at the Cannes Film Festival and received a theatrical limited release. Morton worked again with director Anton Corbijn in the biographical film Control, where she appeared as Deborah Curtis, wife of musician Ian Curtis from the band Joy Division, whose biography Touching from a Distance formed the basis of the film. It premiered at Cannes and was given an October release in arthouse cinemas, to a unanimously positive reception from critics and audiences alike. Roger Ebert remarked that Morton "absolutely convincing as a plucky teenage bride", and Variety magazine found her performance to be "astonishing" and "sympathetic". For Control, she was nominated for the BAFTA Award for Best Actress in a Supporting Role. Her last film of 2007 was another biopic, Elizabeth: The Golden Age, in which she played Mary, Queen of Scots.
She made part of an ensemble cast in Charlie Kaufman's postmodern drama Synecdoche, New York (2008), alongside Philip Seymour Hoffman, Michelle Williams and Emily Watson. In the film, she portrayed Hazel, one of the women in the life of a theatre director (Hoffman) whose extreme commitment to a realistic stage production begins to blur the boundaries between fiction and reality. As her character ages from 30 to 64 over the course of the story, Morton used full-face prosthetic makeup. She discovered that she was pregnant during the filming, which had a schedule that took up to 20 hour a day. The film was a box office bomb, but garnered praise from critics, appearing on many top ten lists of the year. Morton and her co-stars were eventually nominated for the Best Emsemble Performance award at the 18th Gotham Independent Film Awards. Also in 2008, she starred in The Daisy Chain, an Irish horror film about a couple who after the death of their daughter, take in an orphaned girl, only to become involved in a series of strange occurrences. It premiered at the 16th Raindance Film Festival (London; October 2008), and went straight-to-video in the US in 2010.
In 2009, she starred in the war drama The Messenger as Oliva Patterson, a widow whose husband was killed in Iraq. The film was the directorial debut of Jesus' Son screenwriter Oren Moverman and co-starred Ben Foster, Woody Harrelson and Jena Malone. She was drawn to the "feminine" side of the story and found her part to be "one of the first characters [she has] played in a long time where [she has] felt so much in common", as her brother and stepfather both served as soldiers in the military forces. Critical reception towards The Messenger and Morton was unanimously favorable, with Claudia Puig of USA Today asserting that, Morton "as always, gives a subtle, excellent performance". She was nominated for Best Supporting Actress at the 14th Broadcast Film Critics Association Awards and the 25th Independent Spirit Awards.
Morton's other project of 2009 was her directorial debut, the semi-autobiographical Channel 4 drama The Unloved, which follows an eleven-year-old girl (played by Molly Windsor) growing up in a children's home in the UK's care system, and shown through her perspective. Morton wrote the story in collaboration with Tony Grisoni, and The Unloved was first broadcast on 17 May 2009, drawing nearly 2 million viewers. It premiered at the Toronto International Film Festival in September 2009. Michael Deacon, for the Daily Telegraph, praised Morton on creating an "intense" and "vivid" dramatic film. Morton won a BAFTA for her direction in 2010.
Following a three-year hiatus from the screen, Morton returned in 2012. She provided the voice of Sola in the science fiction film John Carter, based on A Princess of Mars, the first book in the Barsoom series of novels. The film received mixed reviews and its worldwide grosses barely recouped its production and marketing costs. Later, she had a supporting character in the dramatic thriller Cosmopolis, directed by David Cronenberg. The film premiered in competition for the Palme d'Or at the 2012 Cannes Film Festival and was released in selected cinemas in August the same year, to a mixed critical reception. Her role, described as "misjudged" by The Guardian, earned her the Best Actress in a Canadian Film Award at the Vancouver Film Critics Circle. She also served as a jury member at the 69th Venice International Film Festival in 2012.
She was the original voice of the artificially intelligent operating system in the 2013 romantic science fiction drama Her directed by Spike Jonze and starring Joaquin Phoenix. During production of the film, she performed the role by acting on set "in a four-by-four carpeted soundproof booth made of black painted plywood and soft, noise-muffling fabric". At the director's suggestion, she and Phoenix avoided seeing each other on set during filming. With her blessing, Morton was later replaced by Scarlett Johansson. Jonze explained: "It was only in post production, when we started editing, that we realised that what the [character and the movie] needed was different from what Samantha and I had created together. So we recast." Despite this, Morton is credited as an associate producer.
She played the title role in the independent drama Decoding Annie Parker, co-starring Helen Hunt, which tells the story of Annie Parker and the almost discovery of the cure for cancer. The film screened at the 2013 Palm Beach International Film Festival, and received a May 2014 release for selected cinemas and video-on-demand. Reviews for the film were largely mixed, but Morton was often praised by critics as being the stand-out in it. Betsey Sharkey of Los Angeles Times observed that the actress "gives Parker such a humility within a warm humanity that you feel an obligation to stick with her through the mounting horrors". She was awarded the Best Actress Golden Space Needle Award at the 2013 Seattle International Film Festival.
She starred in the thriller The Harvest, which centres on a couple who keeps their sick son in a secluded environment and find their controlled lives challenged by a young girl who moves in next door. The film was shown at the 2013 Chicago International Film Festival and had a VOD release and a limited screening at the IFC Center in April 2015. She earned mostly favorable comments for her part, with several critics such as Peter Debruge (Variety) and Nikola Grozdanovic (Indiewire) comparing her role of Katherine to Kathy Bates' Annie Wilkes in Misery (1990). She later got a Best Actress Award nomination at the 2014 BloodGuts UK Horror Awards.
In Liv Ullmann's film adaptation Miss Julie, co-starring Colin Farrell and Jessica Chastain, Morton portrayed Kathleen, the fiancé of a valet (Farrell) who finds himself seduced by the daughter of an Anglo-Irish aristocracy (Chastain). The film screened at the 2014 Toronto International Film Festival and had a limited release in the UK, France and Spain. Miss Julie rated average with reviewers, but the cast received acclaim. Writing for The Hollywood Reporter, David Rooney thought Morton's Kathleen was "the most satisfyingly drawn character" of the film, which he considered a "ponderous, stately affair".
Morton starred as a mother in the First World War context in Cider with Rosie, a made-for-television adaptation of the book of the same name by Laurie Lee. The film, described by The Telegraph as a "lyrical, languid and poetic" production, aired on BBC One in September 2015. In the same year, she took on a leading role in the European limited television series The Last Panthers. The six-part crime drama, inspired by the notorious Balkan jewel thieves the Pink Panthers, saw her play an insurance investigator charged with recovering stolen diamonds whatever the cost. Morton found her character to be a "very truthful, [...] strong woman" and described her as a "female Bond". The show was broadcast on Sky Atlantic in the UK, and on SundanceTV in the US, to generally favourable reviews and moderate attention from viewers. Genevieve Valentine for The AV Club wrote: "Morton might at first seem a tough sell as someone so hard-boiled, but the taciturn, untouchable edifice she presents is leaking just enough poison at the edges that we look forward to watching her strike—the sort of character a six-hour miniseries was made for".
Morton appeared in the film adaptation Fantastic Beasts and Where to Find Them, a spin-off from the Harry Potter film series, with a screenplay by J. K. Rowling. In the film, she portrayed Mary Lou Barebone, one of the main antagonists and the leader of an extremist group whose goals include exposing and killing wizards and witches. Fantastic Beasts was released in November 2016, garnering widespread acclaim; The New York Times said that Morton was "creepily effective" as the antagonist, while Empire pointed that some of the supporting cast members, particularly Morton and co-star Ezra Miller, "stand out better than the leads". The film has grossed US$806 million at the international box office, becoming the biggest commercial success of Morton's career.
Also in 2016, she filmed the three-part television crime drama Rillington Place, based on the case of serial killer John Christie, who murdered several women in London during 1940s and early 1950s. Morton was cast opposite Tim Roth as Christie's wife, Ethel. Intrigued by their relationship, Morton felt the depiction of the "psychological aspect of love" in the story "really developed [her] acting chops" but considered as a challenge "to play someone so submissive" as Ethel. The miniseries premiered in BBC One and was favourably received by critics. The Guardian found Morton to be "strong" in her "difficult role", and The Independent remarked that she "gave a fine, nuanced performance" as "a woman trapped under her husband’s spell".
Morton dated actor and The Last Yellow co-star Charlie Creed-Miles, from 1999 to 2000. Their daughter Esme was born in London on 5 February 2000. She dated filmmaker Harry Holm (the son of actor Ian Holm), whom she met in the filming of a video for the band the Vitamins. Their daughter Edie was born on 4 January 2008, in London, and their son Theodore was born in 2012. The family lives in the Peak District area of Derbyshire, England.
In early 2008, she revealed that she had been "close to death" after suffering a debilitating stroke due to being hit by a piece of 17th-century plaster that fell on her head (damaging her vertebral artery) in 2006. She was in hospital for three weeks after the incident. She withdrew from the public spotlight and took an 18-month break from film acting in order to learn to walk again.
In 2011, Morton wrote an open letter hoping her stepfather would get back in touch with her after being estranged for several years. However, it was revealed shortly afterwards that her stepfather had died of prostate cancer four years prior to the letter.
|1997||This Is the Sea||Hazel Stokes|
|1997||Under the Skin||Iris Kelly|
|1999||Sweet and Lowdown||Hattie|
|1999||Dreaming of Joseph Lees||Eva|
|2003||Code 46||Maria Gonzáles|
|2005||River Queen||Sarah O'Brian|
|2005||The Libertine||Elizabeth Barry|
|2006||Free Jimmy||Sonia||Voice – English version|
|2007||Elizabeth: The Golden Age||Mary, Queen of Scots|
|2007||Mister Lonely||Marilyn Monroe|
|2008||Synecdoche, New York||Hazel|
|2008||The Daisy Chain||Martha Conroy|
|2009||The Messenger||Olivia Pitterson|
|2012||John Carter||Sola||Performance capture|
|2013||Decoding Annie Parker||Anne Parker|
|2015||Call Me Lucky||Herself||Documentary|
|2016||Fantastic Beasts and Where to Find Them||Mary Lou|
|1991||Soldier Soldier||Clare Anderson||4 episodes|
|1994||Cracker||murder victim Joanne Barnes||2 episodes|
|1995–1996||Band of Gold||Naomi 'Tracey' Richardson||12 episodes|
|1996||Emma||Harriet Smith||Television film|
|1997||The History of Tom Jones: A Foundling||Sophia Western||5 episodes|
|1997||Jane Eyre||Jane Eyre||Television film|
|Max & Ruby||Ruby||Voice|
|2006||Longford||Myra Hindley||Television film|
|2009||The Unloved||—||Television film – Director|
|2015||Cider with Rosie||Annie Lee||Television film|
|2015||The Last Panthers||Naomi||6 episodes|
|2016||Rillington Place||Ethel Christie||3 episodes|
|2017–present||Harlots||Margaret Wells||8 episodes|
|2018–present||The Walking Dead||Alpha|
|1998||Under the Skin||British Independent Film Award||Best Performance by a British Actress in an Independent Film||Nominated|
|Angers European First Film Festival Award||Best Actress||Won|
|Boston Society of Film Critics Award||Best Actress||Won|
|Gijón International Film Festival Awards||Best Actress||Won|
|1999||Sweet and Lowdown||Academy Award||Best Supporting Actress||Nominated|
|Chicago Film Critics Association Award||Best Supporting Actress||Nominated|
|Most Promising Actress||Nominated|
|Empire Award||Best British Actress||Nominated|
|Golden Globe Award||Best Supporting Actress – Motion Picture||Nominated|
|London Film Critics Circle Awards||British Supporting Actress of the Year||Won|
|Los Angeles Film Critics Association Award||Best Supporting Actress||Nominated|
|National Society of Film Critics Awards||Best Supporting Actress||Nominated|
|Satellite Award||Best Supporting Actress – Motion Picture||Nominated|
|Jesus' Son||Satellite Award||Best Supporting Actress – Motion Picture||Nominated|
|Evening Standard British Film Award||Best Actress||Won|
|Verona Love Screens Film Festival Award||Best Actress||Won|
|2001||Pandaemonium||British Independent Film Award||Best Actress||Nominated|
|2002||Morvern Callar||British Independent Film Award||Best Actress||Won|
|European Film Award||Best Actress||Nominated|
|London Film Critics Circle Awards||British Actress of the Year||Nominated|
|Toronto Film Critics Association Award||Best Actress||Won|
|2003||Minority Report||Empire Award||Best British Actress||Won|
|Online Film Critics Society Award||Best Supporting Actress||Won|
|Saturn Award||Best Supporting Actress||Won|
|Phoenix Film Critics Society Award||Best Supporting Actress||Nominated|
|In America||Academy Award||Best Actress||Nominated|
|British Independent Film Award||Best Actress||Nominated|
|Broadcast Film Critics Association Award||Best Actress||Nominated|
|Independent Spirit Award||Best Female Lead||Nominated|
|Satellite Award||Best Actress – Motion Picture Drama||Nominated|
|Screen Actors Guild Award||Outstanding Performance by a Cast in a Motion Picture||Nominated|
|Code 46||European Film Award||Best Actress||Nominated|
|2004||Enduring Love||British Independent Film Awards||Best Supporting Actor/Actress||Nominated|
|Empire Award||Best British Actress||Nominated|
|2005||River Queen||New Zealand Screen Award||Best Performance by an Actress in a Leading Role||Nominated|
|2007||Control||BAFTA Award||Best Actress in a Supporting Role||Nominated|
|British Independent Film Awards||Best Supporting Actor/Actress||Nominated|
|International Cinephile Society Award||Best Supporting Actress||Won|
|Evening Standard British Film Award||Best Actress||Nominated|
|London Film Critics Circle Awards||British Actress of the Year||Nominated|
|Mister Lonely||Evening Standard British Film Award||Best Actress||Nominated|
|Longford||Golden Globe Award||Best Supporting Actress – Series, Miniseries or Television Film||Won|
|British Academy Television Award||Best Actress||Nominated|
|Broadcasting Press Guild Award||Best Actress||Nominated|
|Golden Nymph||Best Performance by an Actress in a Television Film||Nominated|
|Primetime Emmy Award||Outstanding Supporting Actress in a Limited Series or Movie||Nominated|
|Satellite Award||Best Actress – Miniseries or Television Film||Won|
|2008||Synecdoche, New York||Gotham Award||Best Ensemble Cast||Won|
|Independent Spirit Award||Robert Altman Award||Won|
|The Daisy Chain||British Independent Film Award||Best Actress||Nominated|
|2009||The Messenger||Broadcast Film Critics Association Award||Best Supporting Actress||Nominated|
|Evening Standard British Film Award||Best Actress||Nominated|
|Houston Film Critics Society Award||Best Supporting Actress||Nominated|
|Independent Spirit Award||Best Supporting Female||Nominated|
|National Society of Film Critics Awards||Best Supporting Actress||Nominated|
|St. Louis Gateway Film Critics Association Award||Best Supporting Actress||Nominated|
|San Diego Film Critics Society Award||Best Supporting Actress||Won|
|Village Voice Film Poll Award||Best Supporting Actress||Nominated|
|Washington D.C. Area Film Critics Association Award||Best Supporting Actress||Nominated|
|The Unloved||British Academy Television Award||Best Single Drama||Won|
|British Independent Film Awards||Douglas Hickox Award||Nominated|
|2012||Cosmopolis||Vancouver Film Critics Circle Award||Best Actress in a Canadian Film||Won|
|2013||Decoding Annie Parker||Seattle International Film Festival Award||Best Actress||Won|
|Milano International Film Festival Award||Best Actress||Nominated|
|The Harvest||BloodGuts UK Horror Award||Best Actress||Won|