The negative portrayal of religions has been criticized.
Religious elements are used in two ways: explicit and implicit. They are seen side-by-side in video games and do not exclude each other. Religion in Mass Effect, for instance, can be understood as an "unseen character".
Explicit narrative references
An explicit reference to a religious or spiritual concept is one that is clear to what it is referring. These can be based upon real-world religions, but also on fictional ones. Stories, motifs and names of characters from religious texts are used as reference points.
Real world historical religions and events are used as inspiration for video games. For instance, while Assassin's Creed (2007) is fictional, it is set during the Third Crusade in the Holy Land; the player takes on the role of the AssassinAltaïr Ibn-La'Ahad and is involved in the conflict between Catholic Christians, Orthodox Christians, Sunni Muslims and Shi'ite Muslims. While these religions appear, they are portrayed in a "sanitized manner".
Religion is often institutionalized, having a certain organisational structure. Most games in the Megami Tensei series involve a religion, or a cult.
In the action role-playing game The Elder Scrolls V: Skyrim (2011) a civil war is about to erupt between the Empire and the Stormcloaks. The Stormcloaks wish to worship Talos, a human ascended to godhood. The Empire suffered a defeat against the powerful Aldmeri Dominion, an alliance of Elves who have made the worship of Talos illegal. It is up to the player to help in the conflict.
The stories of action-adventure and role-playing games often involve world-saving quests. The player, as the protagonist, takes on the role of the hero. The player character is often destined to save the world, which in itself is a prophecy.
Players and developers use games to express their existential and spiritual feelings. Video games as cultural objects can also provide religious and spiritual experiences, like Journey (2012). Developer Jenova Chen said that "I feel that Journey is a very spiritual game. People from around the world ask me if the game has a religious connection. Many religions share an affinity with Journey—this is because many religions partly share a common structure". Chen said Journey is based upon Joseph Campbell's book on comparative mythology The Hero with a Thousand Faces and the "Hero's Journey" narrative structure.
Opinions on video games differ from religion and denomination; there are religious groups that use games actively to convert people, while some games are banned for religious reasons. Scholars of religious studies are also studying video games, by looking at the game and to the players and their experiences, with games like Journey Religion is considered a serious real world topic, while video games are an art and entertainment. As such, developers and publishers sometimes take precaution not to offend people's religious beliefs. Religious references in the Japanese role-playing video game series Final Fantasy were originally censored for the U.S. release of the games. It was after the franchise switched to Sony's PlayStation with Final Fantasy VII (1997) that the religious references were left largely intact. Ubisoft's Assassin's Creed series show a disclaimer:
"Inspired by historical events and characters. This work of fiction was designed, developed and produced by a multicultural team of various religious faiths and beliefs."[a]
Despite efforts from some companies, there have been incidents with religious groups and video games. The German video game rating board USK gave The Binding of Isaac a 16+ rating, considering it "blasphemous".
The game BioShock Infinite is heavily based on the notion of American exceptionalism at the turn of the 20th century, and incorporates notions taken from Christianity to support the game's dystopian themes. One aspect of this was the use of baptism. One developer on Irrational Games staff expressed strong concern to the lead developer, Ken Levine, that the game's presentation of baptism was highly controversial, leading Levine to consider baptism in relation to forgiveness rather than merely as a religious tenet. At least one player objected to the final changes, prompting them to request a refund from Steam. The scene was otherwise well received by critics as less a commentary on Christianity but on as a representation of themes such as free will, evil, rebirth and redemption that were central to the game.
On October 22, 2008, Microsoft announced that Fallout 3 would not be released in India on the Xbox 360 platform. Religious and cultural sentiments were cited as the reason. Although the specific reason was not revealed in public, it is possible that it is because the game contains two-headed mutated cows called Brahmin, or that Brahmin is also the name of an ancient, powerful hereditary caste of Hindu priests and religious scholars in India, or its similarity to the spelling of brahman, a type of cow that originated in India. Brahman, a breed of Zebu, are revered by Hindus.
The action game Hanuman: Boy Warrior was criticized by Rajan Zed, president of the Universal Society of Hinduism, for portraying the Hindu deity Hanuman. Developed and published in India by Aurona Technologies, the player controls Hanuman. "Controlling and manipulating Lord Hanuman with a joystick/button/keyboard/mouse [is] denigration", said Zed. "Lord Hanuman was not meant to be reduced to just a 'character' in a video game to solidify [a] company/product's base in the growing economy of India." He urged Sony, the publisher of the game, to pull the game. Sony's regional manager however said that Hanuman: Boy Warrior sold beyond their expectations.
Zed was also critical of the use of Hindu deities in the MOBA game Smite. In response, developer Hi-Rez Studios COO Todd Harris said that Smite would still be featuring Hindu deities, possibly adding more. GameSpot asked if characters based upon Abrahamic religions would be added as well, but Harris said that "the key Abrahimic figures—Adam, Noah, Moses, Jesus, Mohammed, are not that interesting in character design or gameplay".
LittleBigPlanet (2008) had a last-minute delay involving a licensed song in the game's soundtrack, after a PlayStation Community member reported the lyrics to one of the licensed songs in the game included passages from the Qur'an and could therefore be offensive to Muslims. However, no actual complaints regarding the music were made. The song, entitled "Tapha Niang", was by Malian artist Toumani Diabaté, himself a devout Muslim. The game was patched twice, the day before its release for players who had received the game early, before its intended release date. The first update did not affect the song, whilst the second updated the game to remove the vocals from the track, leaving only an instrumental. Some American Muslims responded to the recall and stated that they were offended by the restriction of freedom of speech. M. Zuhdi Jasser M.D., head of the American Islamic Forum for Democracy, was quoted as saying, "Muslims cannot benefit from freedom of expression and religion and then turn around and ask that anytime their sensibilities are offended that the freedom of others be restricted."
The fighting gameInjustice: Gods Among Us was temporarily banned in the United Arab Emirates and Kuwait. Originally, the title of the game was rebranded as Injustice: The Mighty Among Us for promotional uses in those areas. It is speculated that Injustice was banned because of the inclusion of the word 'Gods' in the title, the cleavage exposed in the outfits of some female characters, and overall bloodiness. Eventually, the ban in the United Arab Emirates and Kuwait was lifted.
A study released by the University of Missouri stated that video games often emphasize the violent aspects of religion. Researcher Greg Perreault said "It doesn't appear that game developers are trying to purposefully bash organized religion in these games, I believe they are only using religion to create stimulating plot points in their story lines".
For many years video games were seen as mere entertainment, a form of "low culture". Playing video games was seen as a form of escapism and the medium was not regarded as a valid object of scientific research. To "play" games as a scholarly pursuit was thought of as "ludicrous". It has only been in recent years that video games have become the object of scientific study. Looking at the game as an object, researchers can explore religious and spiritual references. Video game research is done in two ways; the game can be studied as an object, while actor-focused research looks at the player.
Video games, as products of human culture, can be seen and read as "texts". They carry myths, stories and symbols of the time in which they were created. By "reading" video games, philosophers, sociologists and theologians have the opportunity to study the religious and spiritual themes in video games. This can be done in several ways.
by studying the design, rules and mechanics or by talking to the developers
Video games are interactive; it requires input from the player to happen. While a video game developer designs the game, including its rules and story, it is up to the player to make the game "happen". As such, it is up to individual player to give meaning to their experience.
Video games allow the player to think, form and possibly change their own opinion about religious and spiritual matters. Players often discuss these elements on online platforms. For instance, some players made their own version of the player character Commander Shepard of the Mass Effect series an atheist, while others thought of him/her[b] as a Christian. As such, video games also give new meaning to the concept of religion.
Gregory, Rabia (2014). "Chapter 6: Citing The Medieval: Using Religion as World-Building Infrasturcuture in Fantasy". In Campbell, Heidi; Grieve, Grieve (eds.). Playing with Religion and Digital Games. Rou. pp. 134–154. ISBN978--0-253-01253-1.
^Grieve, Gregory (2016). Cyber Zen: Imagining Authentic Buddhist Identity, Community, and Practices in the Virtual World of Second Life. New York: Routledge. ISBN978-0415628730.
^Reichmuth P, Werning S (2006). "Pixel Pashas, Digital Djinns". ISIM Review. 18 (1): 46–47.
^Campbell, Heidi; Gregory, Gregory Price (2014). "Introduction: What Playing With Religion Offers Digital Games". In Campbell, Heidi; Grieve, Gregory PRice (eds.). Playing with Religion and Digital Games. Indiana University Press. pp. 1–21.
^ abClark, Terry Ray; Clanton, Dan W. (2012). Understanding Religion and Popular Culture: Theories, Themes, Products and Practices. Routledge. p. 130. ISBN9780415781060.
^ abIrizarry, J.A. & Irizarry, I.T. The Lord is My Shepard: Confronting Religion in the Mass Effect Trilogy. In Heidbrink, S. en Knoll, T. (ed.) Religion in Digital Games. Multiperspective & Interdisciplinary Approaches. Volume 05 (2014)
^McGonigal, J (2011). Reality is Broken: Why Games Make Us Better. Maven Publishing, Amsterdam. Page 13
^Slater, A. Prophecy, Pre-destination, and Free-from Gameplay The Nerevarine Prophecy in Bethesda's 'Morrowind'". In Heidbrink, S., Knoll, T. and Wysocki, J. (ed.) Religion in Digital Games Reloaded. Immersion into the Field. Volume 07 (2015)
^Cuddy, L. (ed.) The Legend of Zelda and Philosophy (2008). Open Court, Chicago. Page 196
^ abCampbell, H. (ed.). Digital Religion: Understanding Religious Practice in New Media Worlds (2012). Rutledge. Page 145
^Campbell, H. A. en Grieve, G. P. Studying Religion in Digital Gaming. A Critical Review of an Emerging Field. In Heidbrink, S. en Knoll, T. (ed.) Religion in Digital Games. Multiperspective & Interdisciplinary Approaches. Volume 05 (2014)