|Ready Player One|
Theatrical release poster
|Directed by||Steven Spielberg|
|Based on||Ready Player One|
by Ernest Cline
|Music by||Alan Silvestri|
|Distributed by||Warner Bros. Pictures|
|Box office||$582.9 million|
Ready Player One is a 2018 American science fiction adventure film directed by Steven Spielberg, from a screenplay by Zak Penn and Ernest Cline based on Cline's 2011 novel of the same name. The film stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, T.J. Miller, Simon Pegg, and Mark Rylance. The film takes place in 2045, when much of humanity uses the virtual reality software OASIS (Ontologically Anthropocentric Sensory Immersive Simulation) to escape the desolation of the real world. Orphaned teenager Wade Watts (Sheridan) discovers clues to a hidden game within the program that promises the winner full ownership of the OASIS, and joins several allies to try to complete the game before a large company run by businessman Nolan Sorrento (Mendelsohn) can do so.
Ready Player One premiered at South by Southwest in Austin, Texas on March 11, 2018, and was theatrically released by Warner Bros. Pictures in the United States on March 29, 2018, in 2D, RealD 3D, IMAX and IMAX 3D. It grossed over $582 million and received generally positive reviews; critics praised its visuals, brisk pacing, the performances of Sheridan and Rylance, and the many cultural references from various media. The film was noted to have significant differences from the book; some critics said the film's plot was an improvement over the source material. It also received nominations at the 91st Academy Awards, 24th Critics' Choice Awards, and 72nd British Academy Film Awards, all for visual effects.
In 2045, people seek regular escape from life through the virtual reality entertainment universe called OASIS (Ontologically Anthropocentric Sensory Immersive Simulation), co-created by James Halliday and Ogden Morrow of Gregarious Games. After Halliday's death, a pre-recorded message left by his avatar Anorak announces a game, granting ownership of OASIS to the first to find the Golden Easter egg within it, which is locked behind a gate requiring three keys. The contest has lured a number of ‘gunters’, or egg hunters, and the interest of Nolan Sorrento, the CEO of Innovative Online Industries (IOI) who seeks to control OASIS himself. IOI uses a number of indentured servants and employees called "Sixers" to find the egg.[a]
Wade Watts is an orphaned teenager living in the slums, or ‘stacks’, of Columbus, Ohio, with his Aunt Alice. In the OASIS, his avatar Parzival is best friends with Aech, a virtual mechanic. One day, Parzival befriends Art3mis, a well-known Gunter, sharing a common interest in Halliday's history. They review Halliday's life from the Archives, an online library of Halliday's life that came online upon the start of the games, with help from its Curator. They learn Halliday had several regrets in life, including his unrequited love for Morrow's wife Karen (who uses the gamer tag "Kira") and losing Morrow as a friend after forcing him to sign away his part of Gregarious Games. Using this information, they solve the first two challenges of Anorak's game: a car race across an ever-shifting Manhattan cityscape and a search for Kira in the Overlook Hotel from The Shining. Aech and two of their other friends, Daito and Sho, soon follow suit, with the group becoming known as the "High Five" on the OASIS scoreboards.
Sorrento learns of Parzival's real-life identity through OASIS mercenary i-R0k, and attempts to sway Wade into joining IOI, but he refuses. In retaliation, Sorrento has IOI's head of operations F'Nale Zandor bomb Wade's stack, killing Alice. Art3mis's player, Samantha Cook, rescues Wade, but they are soon found by IOI. Samantha is captured and remanded to one of IOI's Loyalty Centers to work off the debt IOI acquired, while Wade is extracted by the other High Five—Helen (Aech), Toshiro (Daito), and Zhou (Sho). The group tracks down Samantha's location at IOI and they remotely help her escape, allowing her to assist them in the OASIS as Art3mis.
The third challenge requires one to play Halliday's favorite Atari 2600 game, in a castle on Planet Doom, which Sorrento has protected with a force field, activated by a magical in-game artifact called the Orb of Osuvox. Parzival recruits other OASIS players to help the rebels attack the IOI forces around the castle. Art3mis deactivates the force field, allowing Parzival to reach the console, but Sorrento detonates the Cataclyst, a bomb that kills all the avatars on Planet Doom. However, due to having won a coin from the Archive's Curator earlier, Parzival gets an extra life, proceeding to play through Adventure to find its Easter egg; he is awarded the last key. He opens the gate and is greeted by Anorak and given a contract to sign; however, he recognizes it as the same contract Morrow signed to turn over his part of Gregarious and refuses. Anorak changes form, becomes Halliday, and reveals that the contract was the final test to make sure Parzival would not make the same mistakes he did. Parzival is given the Golden Egg and control of OASIS.
In the real world, Sorrento and Zandor fail to stop Parzival before he wins. After accepting defeat, they are quickly arrested for the bombing. Morrow, revealed to have been the Curator, offers his services to Wade and he gladly accepts. Wade decides to run OASIS with the other High Five, agreeing to ban IOI's Loyalty Centers from forcing people into servitude resulting in them, resulting in the whole program being shut down, and to shut down the OASIS twice a week for everyone to spend more time in the real world. Meanwhile, he and Samantha start a relationship and move into a luxury apartment together.
Additionally, Susan Lynch portrays Alice, Wade's aunt; Ralph Ineson portrays Rick, Alice's abusive boyfriend who uses Jim Raynor as his avatar; Perdita Weeks portrays Karen "Kira" Underwood, Morrow's wife; Clare Higgins portrays Mrs. Gilmore, Wade's neighbor; and Letitia Wright portrays a rebel who can briefly be seen at Samantha's safe house. McKenna Grace and Lulu Wilson appear as elementary school children who use the OASIS. Jacob Bertrand appears as a high school student using the OASIS.
Warner Bros. bought the film rights for producers Dan Farah and Donald De Line in June 2010, one year before the book was published. Cline was set to write the script for the film, which Donald De Line and Dan Farah would produce. Eric Eason rewrote Cline's script, and Zak Penn was hired to rewrite the previous drafts by Cline and Eason. Village Roadshow Pictures came aboard to co-finance and co-produce the film with Warner Bros. Steven Spielberg signed on to direct and produce the film, which Kristie Macosko Krieger also produced, along with De Line and Farah. Ready Player One is Spielberg's first action-fantasy film since The Adventures of Tintin in late 2011. Cline and Penn made several revisions while adapting the novel to film. Most of these changes were to eliminate scenes that would be uninteresting in a visual format, such as when Wade beats a high score in Pac-Man, or recites all the lines from the film WarGames. In 2016, American musician Moby said that he had made an attempt to adapt the book into a film, but found out that Spielberg had secured it by that time.
Three actresses were top-runners for the role of Art3mis: Elle Fanning, Olivia Cooke, and Lola Kirke; In September 2015, Cooke was announced as having been cast in the coveted female lead role. In January 2016, Ben Mendelsohn joined the cast. In February 2016, Tye Sheridan was confirmed as playing the lead role of Wade, after a lengthy nationwide casting call failed to produce an unknown for the part. In March 2016, Simon Pegg joined the cast. In April 2016, Mark Rylance joined the cast, and in June 2016, T.J. Miller, Hannah John-Kamen and Win Morisaki also joined. In July 2016, Philip Zhao joined the cast, and Lena Waithe, Ralph Ineson, McKenna Grace, and Letitia Wright were later also announced to have been cast.
Production was set to begin in July 2016. Screenwriter Zak Penn announced via Twitter on July 1, 2016 that the first week of filming had been completed. In August and September 2016, filming took place in Birmingham, England; this included Livery Street in the Jewellery Quarter area of the city, which was extensively used, including the van chase that takes place towards the film's end. The chase was edited to make the street appear longer than it actually is. The backpackers hostel Hatters, also on Livery Street, was used for internal filming for a basement scene. The Ludgate Hill Car Park lot on Lionel Street, in which caravan homes were partially built was also used and a planned explosion there caused some local business and homes to call emergency services, as no prior notification were given by the production team. Other locations in the city included the former industrial area of Digbeth, in a rooftop scene that overlooks the Birmingham City Centre skyline. Some of the city's landmark buildings were erased and replaced with CGI buildings to create a dystopian Ohio in the year 2045. Principal photography wrapped on September 27, 2016.
Spielberg worked with Industrial Light & Magic (ILM) to oversee the film's visual effects, meeting with ILM for 3 hours three times a week. He has stated that "[t]his is the most difficult movie I've done since Saving Private Ryan."
A significant part of the film takes place in a virtual space based on the Overlook Hotel in the film The Shining. This was mostly a digital recreation of the film using high-quality telecine of the original film, giving them some freedom of new camera angles and shots that could be generated from this recreation. The final film includes a combination of the original footage from The Shining and ILM's additional work. Only a few scenes in this sequence which involved real actors, such as the appearance of the Grady twins, required them to construct a faithful reproduction of The Shining's set for the actors to interact with. Finally, the sequence was post-processed to introduce film grain and other aging effects to make the new footage indistinguishable from the original film. Spielberg's team was consulting for the production of Doctor Sleep, the film sequel to The Shining with parts taking place in the Overlook Hotel. While Doctor Sleep used practical sets with limited CGI to recreate the hotel, the production team there worked between the Ready Player One production design and Kubrick's blueprints to faithfully recreate the hotel.
ILM also had to faithfully produce digital recreations of several of the cultural references that appear throughout the film, including the DeLorean time machine, the Iron Giant, Chucky, and a version of King Kong that was modeled after the 1933 version of the character. The Tyrannosaurus rex from Jurassic Park was also recreated using the same base model that ILM had previously created during the original film production.
Ready Player One, as in the book, pays homage to popular culture from various time periods, mainly the 1970s and 1980s but also extending to the 1990s, 2000s, and 2010s; reviewers have identified well over a hundred references to films, television shows, music, toys, video games, anime, and comics from these eras. Cline did not have any issues with these copyrighted elements when he published the book, but was aware that securing all necessary rights would be a major obstacle for a film adaptation. This task was eventually made easier thanks to Spielberg's reputation in the film industry. Spielberg and producer Kristie Macosko Krieger spent several years securing the rights for the copyrighted elements used in the film long before filming began, knowing that some scenes would not be possible without certain copyrighted elements. In the end, Spielberg estimated that they managed to get about 80% of the copyrighted elements they desired, noting that in some cases, the filmmakers were able to secure rights for some but not all the characters they wanted. In negotiating with Warner Bros., they could not secure Close Encounters of the Third Kind from Columbia Pictures, despite the latter being one of Spielberg's first films as director.
Blade Runner, which was integral to the plot of the book, was off-limits as Blade Runner 2049 was in production at the same time as Ready Player One; as a replacement, the creative team had the players play through the events of The Shining, which Spielberg was able to secure the rights to as an homage to his friend Stanley Kubrick. While Cline's original work heavily used the character of Ultraman, the rights over the character were still under legal dispute, requiring them to replace Ultraman with the titular robot from The Iron Giant and RX-78-2 Gundam. Spielberg recognized that his past films were a significant part of the 1980s popular culture cited in the book, and to avoid being accused of "vanity", he opted to remove many of the references to his own work. Cline stated that he believed Spielberg wanted to avoid self-references to films he directed, due to the criticism he received for his film 1941, which lampooned his own previous works Jaws and Duel. Cline said he had to convince Spielberg to include some iconic elements, such as the DeLorean time machine from Back to the Future, which Spielberg conceded as the film was one he produced rather than directed. Spielberg also allowed the Tyrannosaurus rex from his own Jurassic Park to be included. Cline also asked ILM to include a reference to Last Action Hero, one of Penn's first screenplays, without Penn's knowledge; a movie marquee in the Manhattan race segment bears the name "Jack Slater", the character Arnold Schwarzenegger played in that film.
On June 9, 2016, Variety stated that Spielberg's regular collaborator John Williams was planning to compose the film's score. However, in July 2017, it was reported that Williams had left the project to work on Spielberg's The Post instead, with Alan Silvestri hired to take over scoring duties for Ready Player One. The official score was released by WaterTower Music as a two-CD set on March 30, 2018, with vinyl and cassette releases projected for the summer. At Spielberg's request, Silvestri references his own music from Back to the Future within the film's score, as well as quoting the music by Wendy Carlos and Rachel Elkind from The Shining for the film's sequence at the Overlook Hotel.
The film also includes licensed music from the 1970s and 1980s, which appears on the digital-only soundtrack album Ready Player One: Songs from the Motion Picture. The Van Halen song "Jump" appears in the film's opening but does not appear on the film's soundtrack.
|Ready Player One (Original Motion Picture Soundtrack)|
|1.||"The Oasis"||Alan Silvestri||1:49|
|2.||"Hello, I'm James Halliday"||Alan Silvestri||2:01|
|3.||"Why Can't We Go Backwards?"||Alan Silvestri||4:18|
|4.||"An Orb Meeting"||Alan Silvestri||4:11|
|5.||"Real World Consequences"||Alan Silvestri||3:30|
|6.||"Sorrento Makes an Offer"||Alan Silvestri||3:34|
|7.||"Welcome to the Rebellion"||Alan Silvestri||3:14|
|8.||"High 5 Assembles"||Alan Silvestri||4:24|
|9.||"Orb of Osuvox"||Alan Silvestri||3:45|
|10.||"Sorrento Punked"||Alan Silvestri||3:57|
|11.||"Wade's Broadcast"||Alan Silvestri,||5:51|
|12.||"Arty on the Inside"||Alan Silvestri||2:33|
|13.||"Looking for a Truck"||Alan Silvestri, Akira Ifukube||5:36|
|14.||"She Never Left"||Alan Silvestri||2:41|
|15.||"Last Chance"||Alan Silvestri||3:21|
|16.||"Get Me Out of This"||Alan Silvestri||1:35|
|17.||"Hold on to Something"||Alan Silvestri||5:14|
|18.||"This Is Wrong"||Alan Silvestri||3:49|
|19.||"What Are You?"||Alan Silvestri||3:29|
|20.||"There's Something I Need to Do"||Alan Silvestri||5:01|
|21.||"Main Title"||Alan Silvestri||2:27|
|22.||"End Credits"||Alan Silvestri||8:04|
|Ready Player One: Songs from the Motion Picture|
|1.||"I Wanna Be Your Lover"||Prince||5:48|
|2.||"Everybody Wants to Rule the World"||Tears for Fears||4:12|
|3.||"Just My Imagination (Running Away with Me)"||The Temptations||3:49|
|4.||"Stand on It"||Bruce Springsteen||3:06|
|5.||"One Way or Another"||Blondie||3:27|
|6.||"Can't Hide Love"||Earth, Wind & Fire||4:09|
|7.||"Blue Monday"||New Order||7:24|
|8.||"Stayin' Alive"||Bee Gees||4:45|
|9.||"We're Not Gonna Take It"||Twisted Sister||3:38|
|10.||"You Make My Dreams"||Hall & Oates||3:12|
|11.||"Pure Imagination (feat. Merethe Soltvedt)"||Bryan Nguyen||2:33|
Ready Player One was initially scheduled to be released on December 15, 2017, but was pushed back to March 30, 2018, to avoid competition with Star Wars: The Last Jedi. In January 2018, it was announced the film's release date had been moved up one day to March 29, 2018. The film had its world premiere at the Paramount Theatre in Austin, Texas on March 11, 2018 (as part of the South by Southwest Film Festival).
Warner Bros. Pictures distributed the film worldwide, with Village Roadshow Pictures distributing in several overseas territories. Around the same time the film was released, massively multi-player online game platform Roblox held an event based on it. The winner of the event was the user r0cu.
Ready Player One was released on digital copy on July 3, 2018, and on 4K UHD Blu-ray, Blu-ray 3D, Blu-ray, and DVD on July 24, 2018. The film debuted at the top of the NPD VideoScan First Alert chart for the week ending on July 27, 2018. It retained the No. 1 spot on the chart for the week ending on August 4, 2018.
Ready Player One grossed $137 million in the United States and Canada, and $445.7 million in other territories, for a worldwide total of $582.9 million. Made on a production budget of $175 million, with about $150 million more spent on global marketing costs, the film needed to gross at least $440 million in order to break even. It was the twelfth-highest-grossing film of 2018.
In the United States and Canada, Ready Player One was released alongside God's Not Dead: A Light in Darkness and Acrimony, and was projected to gross $40–50 million from 4,100 theaters over its first four days. It made $12.1 million on its first day, including $3.75 million from Wednesday night previews. It ended up grossing $41.8 million in its opening weekend (for a four-day total of $53.7 million), marking Spielberg's biggest debut since 2008's Indiana Jones and the Kingdom of the Crystal Skull. In its second weekend it grossed $25.1 million (a drop of 40%), finishing second behind newcomer A Quiet Place ($50 million). In its third weekend the film made $11.2 million, coming in fourth behind Rampage, A Quiet Place and Truth or Dare. In its fourth weekend the film made $7.4 million, finishing sixth at the box office  In its fifth weekend it grossed $2.4 million, a drop of 67% from previous weekend and finishing ninth.
Worldwide, the film was released in 62 countries, including China, where it was expected to make $100–120 million in its opening weekend. It grossed $2.9 million on its first day from 11 countries, including $980,000 from Korea. In China the film made $14.75 million on its first day and earned a score of 9.2 from audiences on Douban (compared to the average 6–7 earned by Hollywood films). It grossed $61.7 million in China in its opening weekend which is the highest opening ever for Warner Bros. in said territory. The film's other major opening weekend territories were South Korea ($8.1 million), United Kingdom ($7.3 million), Russia ($6.1 million), and France ($6 million). In its second weekend in China it grossed $42 million, and in third weekend grossed $13.9 million. The film grossed $81.7 million in its second weekend overseas, dropping only 35%, ahead of other newcomers A Quiet Place and Blockers. In its third weekend it grossed $33.8 million overseas dropping 58.6%. On April 21, 2018, the film topped $200 million in China, becoming the tenth-biggest U.S. release ever in the country. In its fourth weekend in China, it grossed $8.24 million finishing third at the box office and has a total gross of $207 million. It grossed $23 million overseas from 67 territories in its fourth weekend. It opened in Japan, its final major market and grossed $4.4 million. In its fifth weekend overseas, it grossed $8.6 million from 63 territories. In China, the weekend was $2.4M to push it past Avatar as the no. 9 Hollywood title ever in the market with $213.8 million (RMB 1.34 billion). Japan's third frame held well during Golden Week with just a 6% drop from the last session. The total there is currently at $17.5 million. In its sixth weekend in China, it bumped up 10% from last session to lift the local cume to $220.2 million. The film's largest markets after China are Japan ($23.4 million), United Kingdom ($21.3 million), France ($21.5 million), South Korea ($18.6 million), and Russia-CIS ($13.1 million).
On review aggregation website Rotten Tomatoes, the film holds an approval rating of 72% based on 412 reviews, and an average rating of 6.84/10. The website's critical consensus reads, "Ready Player One is a sweetly nostalgic thrill ride that neatly encapsulates Spielberg's strengths while adding another solidly engrossing adventure to his filmography." On Metacritic, the film has a weighted average score of 64 out of 100, based on 54 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale, while PostTrak reported filmgoers gave it an 82% overall positive score and a 65% "definite recommend".
In a review for RogerEbert.com, Brian Tallerico wrote that the film's "overwhelming" nature and non-stop action will likely thrill fans of pop culture; while he observed narrative weaknesses, such as a lack of depth among the supporting characters, he felt that they ultimately do not hinder the film from working "on the level of technical, blockbuster mastery that Spielberg helped define". Writing for Variety, Owen Gleiberman called the film a "coruscating explosion of pop-culture eye candy", and found the sequence based on The Shining to be "irresistible". However, he also criticized Spielberg's dichotomization of fantasy and reality, as well as the film having "more activity than it does layers". IndieWire's Eric Kohn characterized the film as "an astonishing sci-fi spectacle and a relentless nostalgia trip at once" and praised both the sequence based on The Shining as well as Penn's screenplay, particularly with respect to Mendelsohn's character. Nevertheless, he remarked that the film "drags a bunch in its final third".
Alissa Wilkinson, writing for Vox, praised both the quality and quantity of the world building. She also commented on just how dystopian the future portrayed is, where the main characters fight to save the OASIS and the escape from reality it represents, with arguably less concern for the problems of the real world.
Monica Castillo was more critical of the film in her review for The Guardian and drew attention to the absence of character arcs, the lack of resolution for plot holes in the novel, and the bloating of scenes in the film by trivia.
Film and television critic Matt Zoller Seitz praised Ready Player One and noted the undercurrent of sadness present in the film, stating that "I don't think Spielberg gets enough credit for making sad films that most people interpret as happy, and complex films that are immediately dismissed as simple or confused". Seitz concluded that the film "is a mess, but it is a fascinating and complex one..." In March 2019, a year after the film's release, Seitz determined that with Ready Player One's images commenting on capitalism and popular culture, the film was the second-most "interesting [and] substantive" big-budgeted fantasy in 2018 after Black Panther, admitting that "I still think about [Ready Player One] a lot, especially in relation to the world around me."
|Award||Date of ceremony||Category||Recipient(s)||Result||Ref(s)|
|Teen Choice Awards||August 12, 2018||Choice Sci-Fi Movie||Nominated|||
|Choice Sci-Fi Movie Actor||Tye Sheridan||Nominated|
|Choice Sci-Fi Movie Actress||Olivia Cooke||Nominated|
|Choice Breakout Movie Star||Nominated|
|Critics' Choice Movie Awards||January 13, 2019||Best Visual Effects||Nominated|||
|Visual Effects Society Awards||February 5, 2019||Outstanding Visual Effects in a
|Roger Guyett, Jennifer Meislohn, Dave Shirk,
Matthew Butler, Neil Corbould
|Outstanding Animated Character
in a Photoreal Feature
|Dave Shirk, Brian Cantwell, Jung-Seung Hong and
Kim Ooi for "Art3mis"
|Outstanding Created Environment
in a Photoreal Feature
|Mert Yamak, Stanley Wong, Joana Garrido and
Daniel Gagiu for "Overlook Hotel"
|Outstanding Virtual Cinematography
in a Photoreal Project
|Daniele Bigi, Edmund Kolloen, Mathieu Vig and
Jean-Baptiste Noyau for "New York Race"
|Outstanding Model in a
Photoreal or Animated Project
|Giuseppe Laterza, Kim Lindqvist, Mauro Giacomazzo
and William Gallyo for "DeLorean DMC-12"
|Satellite Awards||February 17, 2019||Best Visual Effects||Nominated|||
|BAFTA Awards||February 10, 2019||Best Special Visual Effects||Matthew E. Butler, Grady Cofer, Roger Guyett,
|Academy Awards||February 24, 2019||Best Visual Effects||Roger Guyett, Grady Cofer, Matthew E. Butler,
and David Shirk
|Saturn Awards||September 13, 2019||Best Science Fiction Film||Won|
|Best Director||Steven Spielberg||Nominated|
|Best Music||Alan Silvestri||Nominated|
|Best Special Effects||Nominated|
Cline is working on a sequel to the novel. For a sequel to the film, he stated, "[...] I think there's a good chance that, if this one does well, Warner Bros. will want to make a sequel. I don't know if Steven [Spielberg] would want to dive back in, because he would know what he is getting into. He's said that it's the third-hardest film he's made, out of dozens and dozens of movies". Co-star Olivia Cooke, and presumably the rest of the cast, is "contracted to sequels".
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