THE VISUAL ARTS PORTAL
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.
Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.
|The House with Chimaeras or Gorodetsky House is a major Art Nouveau building in Kiev, the capital of Ukraine. It was built in the period of 1901-1902 by Vladislav Gorodetsky, who was regarded as the Gaudí of Kiev.
The building is commonly dubbed as "The House With Chimaeras" because it contains various scenes depicting exotic animals and hunting scenes, as Gorodetsky was an avid hunter. It is situated on № 10, Bankova Street, across from the president of Ukraine's office in the historic Pechersk neighbourhood of Kiev. It is currently used as a presidential residence for official and diplomatic ceremonies.
The Italian sculptor Emilio Sala made both the internal and external sculptural decorations, such as mermaids, dolphins, and frogs on the roof of the building, sinking ships and hunting trophies on the exterior walls, and exuberant interior decorations, such as grand stairways and chandeliers depicting huge catfish strangled in the stems of lotus flowers.
||Drawing is like making an expressive gesture with the advantage of permanence.
||— Henri Matisse, unknown
Florence Ada Fuller
(1867 – 17 July 1946) was a South African-born Australian artist. Originally from Port Elizabeth
, Fuller migrated as a child to Melbourne
with her family. There she trained with her uncle Robert Hawker Dowling
and teacher Jane Sutherland
and took classes at the National Gallery of Victoria Art School
, becoming a professional artist in the late 1880s. In 1892 she left Australia, travelling first to South Africa, where she met and painted for Cecil Rhodes
, and then on to Europe. She lived and studied there for the subsequent decade, except for a return to South Africa in 1899 to paint a portrait of Rhodes. Between 1895 and 1904 her works were exhibited at the Paris Salon
and London's Royal Academy
In 1904, Fuller returned to Australia, living in Perth. She became active in the Theosophical Society and painted some of her best-known work, including A Golden Hour, described by the National Gallery of Australia as a "masterpiece" when it acquired the work in 2013. Beginning in 1908, Fuller travelled extensively, living in India and England before ultimately settling in Sydney. There, she was the inaugural teacher of life drawing at the School of Fine and Applied Arts, established in 1920 by the New South Wales Society of Women Painters. She died in 1946.
Highly regarded during her active career as a portrait and landscape painter, by 1914 Fuller was represented in four public galleries—three in Australia and one in South Africa—a record for a woman who was an Australian painter at that time. In 1927 she began almost twenty years of institutionalization in a mental asylum, however, and her death went without notice. After her death, information about her was frequently omitted from reference books about Australian painters and knowledge of her work became obscure despite her paintings being held in public art collections including the Art Gallery of South Australia, the Art Gallery of Western Australia, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of New South Wales and Australia's National Portrait Gallery.
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