The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing arts – music, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.
Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.
The Freedom Monument
is a memorial, located in Riga
, in honor of soldiers killed in action
during the Latvian War of Independence
. It is considered an important symbol of the freedom, independence and sovereignty of Latvia. Unveiled in 1935, the 42-metre (138 ft) high monument of granite, travertine
and copper often serves as the focal point of public gatherings and official ceremonies. The sculptures and bas-reliefs of the Freedom Monument, arranged in thirteen groups, depict Latvian culture and history. The core of the monument is composed of tetragonal
shapes on top of each other, decreasing in size towards the top, completed by a 19-metre (62 ft) high travertine column bearing the copper figure of Liberty lifting three gilded stars. After several contests the monument was finally built at the beginning of the 1930s according to the scheme "Shine like a star!" by Latvian sculptor Kārlis Zāle
. During World War II, Latvia was annexed by the USSR and the Freedom Monument was considered for demolition, but no such move was carried out. Soviet sculptor Vera Mukhina
is sometimes credited with the rescue of the monument, possibly because she considered it to be of the highest artistic value. It remained a symbol of national independence to the general public and on 14 June 1987 about 5,000 people gathered there to commemorate the victims of the Soviet regime and to lay flowers. This rally began the national independence movement and three years later the independence of Latvia was re-established.
Megaliths, some decorated, were a part of the culture of the island of Nias off the western coast of Sumatra, Indonesia. Among the many uses of these large stones were statues, seats for the chieftains, and tables where justice was done. Additionally, some stones commemorated the deaths of important people. In this 1915 photo, such a stone is hauled upwards, reportedly taking 525 people three days to erect in the village of Bawemataloeo.
(born 1958) is an Indigenous Australian
artist, notable for being the first Australian fashion designer invited to show her work in Paris. Born in Tenterfield, New South Wales
, and trained in Canberra
, Bancroft worked as a fashion designer, and is an artist, illustrator, and arts administrator. In 1985 Bancroft established a shop called Designer Aboriginals, selling fabrics made by Indigenous artists including herself. She was a founding member of Boomalli Aboriginal Artists Co-operative. Artwork by Bancroft is held by the National Gallery of Australia
, the Art Gallery of New South Wales
and the Art Gallery of Western Australia
. She has provided artwork for over 20 children's books, including Stradbroke Dreaming
by writer and activist Oodgeroo Noonuccal
and books by artist and writer Sally Morgan
. She has also received design commissions, including one for the exterior of a sports centre in Sydney. With a long history of involvement in community activism and arts administration, Bancroft has served as a board member for the National Gallery of Australia. Her painting Prevention of AIDS
(1992) was used in a campaign to raise awareness of HIV/AIDS
in Australia. As of 2010, Bancroft sits on the boards of copyright collection agency Viscopy and Tranby Aboriginal College, as well as being on the Artists Board at the Museum of Contemporary Art, Sydney
- Parent project
- Descendant projects