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Paul Oliver

Paul Oliver
Paul Oliver Brookes.jpg
BornPaul Hereford Oliver
(1927-05-25)25 May 1927
Nottingham, England
Died15 August 2017(2017-08-15) (aged 90)
Shipton-under-Wychwood, Oxfordshire, England
NationalityBritish
OccupationArchitectural historian, blues historian, graphic designer, teacher
Years activec.1950–2017

Paul Hereford Oliver MBE (25 May 1927 – 15 August 2017) was a British architectural historian and writer on the blues and other forms of African-American music.[1][2] He was equally distinguished in both fields, although it is likely that aficionados of one of his specialties were not aware of his expertise in the other.[3] He wrote some of the first scholarly studies of blues music, and his commentary and research have been influential.

Early life and career

Oliver was born in Nottingham, the son of architect W. Norman Oliver.[4] In the late 1930s, his family lived in Pinner, in North London where he attended Longfield Primary School in Rayners Lane and then went to Harrow County School for Boys between 1938 and 1942.[5] While there, he was introduced by a friend to blues music.[6]

He attended Harrow Art School, where he met his wife Valerie.[5] He initially trained as a painter and sculptor,[7] but because of allergies to some art materials concentrated on graphic design.[6] and after a period in the War Office, gained his Art Teacher's Diploma at Goldsmith's College at the University of London. He then taught art in two secondary schools, and was Head of Art at Harrow County School for Boys from 1949 to 1960.[5] When there he formed a jazz club in which he played his blues records, and also played mandolin in a skiffle group.[6] In the early 1950s, he wrote to Decca Records to complain about the design of their record sleeves, and was hired as an illustrator, his first work being seen on the 1954 album Backwoods Blues.[6] He designed many blues album sleeves, usually uncredited, in the 1950s.[6]

Work as architectural historian

He started work as an artist at the Architectural Association in 1960, and after a few years began teaching the history of architecture.[4] From the early 1960s, Oliver studied vernacular architecture traditions around the world,[8] particularly stimulated by a trip to Ghana in 1964 to research appropriate housing for people displaced after the building of the Akosombo Dam.[4] He argued that vernacular architecture will be necessary in the future to "ensure sustainability in both cultural and economic terms beyond the short term." He wrote many books on vernacular architecture, and was well known for his 1997 work Encyclopedia of Vernacular Architecture of the World. Spanning three volumes and 2500 pages, it includes contributions from researchers from 80 countries. In 2003, he was awarded the MBE for services to architectural education.[8] As of 2005, he was at work on a book to be called the World Atlas of Vernacular Architecture.

He became a researcher at the Oxford Institute for Sustainable Development (Department of Architecture, Oxford Brookes University), and from 1978 to 1988 was Associate Head of the School of Architecture. He was an Honorary Fellow of the Royal Institute of British Architects (1999) and was awarded an Honorary Doctorate by the University of Gloucestershire (2007).

Blues historian

Oliver was a leading authority on the blues and gospel music, described in the New York Times as "a scrupulous researcher with a fluent writing style, [who] opened the eyes of readers in Britain and the United States to a musical form that had been overlooked and often belittled."[6] He published his first article in Jazz Journal in 1952. His first book on the blues, a biography of Bessie Smith, was published in 1959,[7] followed by Blues Fell this Morning: The Meaning of the Blues in 1960. The latter book was " one of the first efforts to examine closely the music’s language and subject matter."[6]

His studies of American traditional music did much to spread interest in the blues,[9] and included early research into the influence of Islamic music from North Africa on its origins. His work, which began in the 1950s, included interviews, field work and research in recording and printed sources tracing the origin and development of African-American music and culture from the time of slavery and before. Oliver's Collection of African American Music and Related Traditions was established in 2007 with the support of the European Blues Association at the University of Gloucestershire.

He made several trips to the US in the 1960s to interview and record blues musicians, financed by the State Department and the BBC.[6] Many of his interviews were transcribed in Conversation with the Blues (1965). In 1969 he published The Story of the Blues, "the first comprehensive history of the genre", followed by several other books covering all aspects of blues music. His unfinished research with Mack McCormick on Texas blues is due to be published in 2018.[6]

Personal life

He married Valerie Coxon in 1950. She died in 2002. They had no children.[3]

Death

Oliver died at Shipton-under-Wychwood, Oxfordshire, England, on 15 August 2017.[6]

Selected bibliography

Architectural writings

  • Shelter and Society. London. 1969.
  • Dunroamin: The Suburban Semi and its Enemies. Barrie & Jenkins, London. 1981.
  • Dwellings: The House Across the World. Phaidon, Oxford. 1987. ISBN 0-7148-2443-7.
  • Encyclopedia of Vernacular Architecture of the World. Cambridge University Press. 1997. ISBN 0-521-56422-0.
  • Built to Meet Needs: Cultural Issues in Vernacular Architecture. Elsevier. 2006. ISBN 0-7506-6657-9.

Blues books

  • Bessie Smith. Cassell, London. 1959.
  • Blues Fell This Morning: The Meaning Of The Blues. London: Cassell. 1960. ISBN 3-85445-065-6.. Revised edition: Blues Fell this Morning: Meaning In The Blues. Cambridge: Cambridge University Press. 1990. ISBN 0-521-37793-5..
  • Conversation with the Blues. London: Cassell. 1965. ISBN 3-85445-065-6.
  • Screening the Blues: Aspects of the Blues Tradition. London: Cassell. 1968. ISBN 0-304-93137-3.
  • The Story of the Blues. London: Barrie & Jenkins. 1969. ISBN 3-85445-092-3. Selected tracks discussed in the book were issued on a CBS album of the same title
  • Savannah Syncopators: African Retentions in the Blues. London: Studio Vista. 1970. ISBN 0-289-79828-0.
  • Songsters and Saints: Vocal Traditions on Race Records. Cambridge University Press, Cambridge. 1984. ISBN 0-521-24827-2.
  • Blues Off the Record: Thirty Years of Blues Commentary. Tunbridge Wells: Baton Press. 1984. ISBN 0-306-80321-6.
  • Broadcasting the Blues: Black Blues in the Segregation Era. New York & Abingdon: Routledge. 2006. ISBN 0-415-97177-2.
  • Barrelhouse Blues: Location Recordings and the Early Traditions of the Blues. London: Basic Civitas. 2009. ISBN 978-0-465-00881-0.

References

  1. ^ "Resources – University of Gloucestershire". Resources.glos.ac.uk. Archived from the original on 26 October 2010. Retrieved 6 October 2015.
  2. ^ "Paul Oliver". Everything2.com. 7 December 2001. Retrieved 6 October 2015.
  3. ^ a b Matt Schudel, "Paul Oliver, blues music scholar, dies at 90", Chicago Tribune, August 18, 2017. Retrieved 19 August 2017
  4. ^ a b c Charles Knevitt, "Vernacular man", The Architects' Journal, 22 January 1998. Retrieved 15 August 2017
  5. ^ a b c Bob Garratt, "A Conversation with Paul Oliver", Harrow County Staff, 2 June 2004. Retrieved 16 August 2017
  6. ^ a b c d e f g h i j William Grimes, "Paul Oliver, Pre-eminent Authority on the Blues, Dies at 90", New York Times, August 17, 2017. Retrieved 18 August 2017
  7. ^ a b Alan White, "Interview: Paul Oliver, world authority on the Blues", Early Blues, 2009. Retrieved 15 August 2017
  8. ^ a b The Paul Oliver Vernacular Architecture Library, Oxford Brookes University. Retrieved 15 August 2017
  9. ^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. p. 7. ISBN 1-85868-255-X.

External links