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Operatic pop or popera is a subgenre of pop music that is performed in an operatic singing style or a song, theme or motif from classical music stylized as pop. According to music historians, operatic pop songs became most prevalent with the rise of Tin Pan Alley musicians during the early 1900s. One influence was the large influx of Italian immigrants to the United States who popularized singers such as Enrico Caruso and inspired the creation of "novelty songs" using Italian dialect. The songs often used operatic repertory "to make a satirical or topical point". Popularized by American Vaudeville, musical comedies, jazz and operettas, examples include Irving Berlin's That Opera Rag, Billy Murray's My Cousin Caruso and Louis Armstrong's riffs on Rigoletto and Pagliacci. The subgenre subsequently dwindled after the 1920s but revived during the rock music era with albums such as The Who's Tommy and Queen's A Night at The Opera.
In 1986, operatic tenor Luciano Pavarotti had a hit with the Lucio Dalla song "Caruso", which helped to spark a recent flourishing of operatic pop. Other singers, including Andrea Bocelli, Josh Groban, and Katherine Jenkins, also recorded the number. Bocelli, in particular, soon became a leading representative of the subgenre. In the 2000s, singers and singing groups devoted primarily to operatic pop built on this renewed success. Groups like Il Divo and Amici Forever have achieved popularity with the mix of "contemporary pop with operatic style" characteristic of operatic pop. The subgenre is often performed by classical crossover singers and acts, although that field is much broader in the types of music it encompasses. "Popera" performances, such as those by the Three Tenors, have reached larger audiences and brought in greater profits than typical for operatic music.
Notable operatic pop solo singers include:
Notable operatic pop groups include:
A Rotorua opera singer is calling for Dame Kiri Te Kanawa to publicly apologise to Hayley Westenra and other 'popera' stars for calling them fake singers.
Groban has carved more of a mainstream niche for operatic pop vocals than such predecessors as Andrea Bocelli or even Luciano Pavarotti.
Italy has capitalized on its stereotypical image as the cradle of bel canto, as in the case of the 'operatic pop' of Luciano Pavarotti and Andrea Bocelli.
If anyone can compete with Wainwright for the crown of operatic pop...
‘My goal is to enlarge the audience [for opera] by using the media of our time,’ he says, using the term ‘popera’ as a definition of a viable art form rather than as a derisive insult.
Il Divo, the operatic pop vocal group, is coming to Broadway...