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A general view of Le Tréport
|Intercommunality||CC Villes Sœurs|
|• Mayor (2014–2020)||Laurent Jacques (PCF)|
|6.77 km2 (2.61 sq mi)|
|• Density||780/km2 (2,000/sq mi)|
|Time zone||UTC+01:00 (CET)|
|• Summer (DST)||UTC+02:00 (CEST)|
|Elevation||0–103 m (0–338 ft) |
(avg. 20 m or 66 ft)
|1 French Land Register data, which excludes lakes, ponds, glaciers > 1 km2 (0.386 sq mi or 247 acres) and river estuaries. 2 Population without double counting: residents of multiple communes (e.g., students and military personnel) only counted once.|
A small fishing port and light industrial town situated in the Pays de Caux, some 21 miles (34 km) northeast of Dieppe at the junction of the D 940, the D 78 and the D 1015 roads. The mouth of the Bresle river meets the English Channel here, in between the high (110 metres) chalk cliffs and the pebbly beach. Le Tréport is also a sea-side resort and home to a casino.
The British World War I soldier Arthur Bullock, who was stationed in Le Tréport after the Armistice, was captivated by the town, nestling at the bottom of cliffs which could be ascended by 365 steps or by a cliff railway. Bullock recorded in his memoir, 'The sea floor must have been covered by multicoloured sands, for on a clear day, looking from the cliffs straight down into the sea, it seemed that one was looking at a vast abstract canvas of blues, yellows, reds and greens'. While staying there, Bullock also painted a study of a French fisher girl with a basket on her back.
|From the year 1962 on: No double counting—residents of multiple communes (e.g. students and military personnel) are counted only once.|
The current mayor of Le Tréport is Laurent Jacques of the PCF political party. He became 1st vice-mayor following the 2014 municipal elections (2014-2020). He took over as mayor in January 2016 upon the demise of his predecessor Alain Longuent (PCF).
Le Tréport was used as the location for the 2014 French police thriller Witnesses ("Les témoins"). The series, which was written by Hervé Hadmar and Marc Herpoux, starred Thierry Lhermitte and Marie Dompnier. Its style and tempo have been compared to Scandinavian noir such as Wallander, The Bridge and The Killing.
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