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theatrical release poster
|Directed by||Edwin L. Marin|
William L. Pereira|
Jack J. Gross
Mr. Angel Comes Aboard|
by Charles Gordon Booth
|Music by||Leigh Harline|
|Cinematography||Harry J. Wild|
|Edited by||Les Millbrook|
|Distributed by||RKO Radio Pictures|
Johnny Angel is a 1945 film noir directed by Edwin L. Marin and written by Frank Gruber and Steve Fisher from the novel Mr. Angel Comes Aboard by Charles Gordon Booth. The movie stars George Raft, Claire Trevor and Signe Hasso, and features Hoagy Carmichael.
A merchant ship captain (George Raft) finds his father's ship – of the same line – derelict at sea, the entire crew having disappeared. From an unlisted passenger (Signe Hasso), the only survivor of the hijacking of the ship, he learns of a plot involving secret gold, and searches New Orleans for his father's murderer.
Mr Angel Comes Aboard was published in 1944. The New York Times described it as "a tale of adventure, mystery, treachery, and murder, that reaches a happy ending amid a welter of gore." RKO bought the film rights that year, with Jack Gross originally signed to produce and Pat O'Brien mentioned as a possible star.
In July 1944, George Raft signed to play the lead and the film was to be called Johnny Angel. Ray Enright was to direct. Eventually William Pereira became producer and Edwin L. Marin was the director, his first assignment under a two-picture deal with RKO. Signe Hasso was borrowed from MGM and Claire Trevor hired to play the main female lead.
Raft went on to make three more thrillers for RKO.
The staff at Variety magazine gave the film a lukewarm review, and wrote, "Johnny Angel is another in the seemingly never-ending series of maritime intrigues involving murder and lust. It is slow and plodding, with poor story development...Raft is his invariably glowering self as a guy who really handles his mitts - and the dames - while Claire Trevor and Signe Hasso are the romantic interests. Rest of the cast is weighted down too much by the story..."
Time Out film guide gave the film a positive review and wrote, "The world of Johnny Angel is very noir indeed...They all inhabit a closed world, where even pastoral idylls reek of claustrophobia and obsession. The men struggle against the towering shadows of their fathers, the women are dangerously enigmatic, and the docks of New Orleans glisten under the diffuse light of a single street-lamp. Even Hoagy Carmichael sounds eerie singing "Memphis in June." There are no black diamonds, but Johnny Angel glitters like one."