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|Guillermo del Toro|
Del Toro at the Sitges Film Festival in 2017
|Born||Guillermo del Toro Gómez|
October 9, 1964
Guadalajara, Jalisco, Mexico
|Residence||Los Angeles, California, U.S.|
|Occupation||Film director, screenwriter, producer, novelist|
(m. 1986; div. 2017)
Guillermo del Toro Gómez (Spanish: [ɡiˈʝeɾmo ðel ˈtoɾo]; born October 9, 1964) is a Mexican filmmaker, director, screenwriter, producer, author, actor and former special effects makeup artist. He is best known for the Academy Award-winning fantasy films Pan's Labyrinth (2006) and The Shape of Water (2017), winning the Academy Award for Best Director and the Academy Award for Best Picture for the latter.
Throughout his career, del Toro has shifted between Spanish-language horror-fantasy films, such as Cronos (1993) and The Devil's Backbone (2001), and more mainstream American sci-fi-action films, including Mimic (1997), Blade II (2002), Hellboy (2004), Hellboy II: The Golden Army (2008), and Pacific Rim (2013). He also directed the gothic romance film Crimson Peak (2015). As a producer, he worked on the films The Orphanage (2007), Don't Be Afraid of the Dark (2010), The Hobbit film series (2012–14), Mama (2013), The Book of Life (2014), and Pacific Rim Uprising (2018).
With Chuck Hogan, he co-authored The Strain trilogy of novels (2009–2011), later adapted into a comic-book series (2011–15) and a live-action television series (2014–17). With DreamWorks Animation, he created the Netflix animated series Trollhunters (2016–18), the first installment of the Tales of Arcadia trilogy, based on the 2015 novel he co-wrote with Daniel Kraus.
Del Toro's work has been characterized by a strong connection to fairy tales and horror, with an effort to infuse visual or poetic beauty in the grotesque. He has had a lifelong fascination with monsters, which he considers symbols of great power. He is also known for his use of insectile and religious imagery, the themes of Catholicism and celebrating imperfection, underworld and clockwork motifs, practical special effects, dominant amber lighting and his frequent collaborations with actors Ron Perlman and Doug Jones. He is good friends with fellow Mexican filmmakers Alfonso Cuarón and Alejandro G. Iñárritu, collectively known as "The Three Amigos of Cinema".
Del Toro was born in Guadalajara, Jalisco, Mexico, the son of Guadalupe Gómez and Federico del Toro Torres, an automotive entrepreneur. He was raised in a strict Catholic household. Del Toro studied at the Centro de Investigación y Estudios Cinematográficos, at the University of Guadalajara.
When del Toro was about eight years old, he began experimenting with his father's Super 8 camera, making short films with Planet of the Apes toys and other objects. One short focused on a "serial killer potato" with ambitions of world domination; it murdered del Toro's mother and brothers before stepping outside and being crushed by a car. Del Toro made about 10 short films before his first feature, including one titled Matilde, but only the last two, Doña Lupe and Geometria, have been made available. He wrote four episodes and directed five episodes of the cult series La Hora Marcada, along with other Mexican filmmakers such as Emmanuel Lubezki and Alfonso Cuarón.
Del Toro studied special effects and make-up with special-effects artist Dick Smith. He spent 10 years as a special-effects make-up designer and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later in his directing career, he formed his own production company, the Tequila Gang.
In 1997, at the age of 33, Guillermo was given a $30 million budget from Miramax Films to shoot another film, Mimic. He was ultimately unhappy with the way Miramax had treated him during production, which led to his friend James Cameron almost coming to blows with Miramax co-founder and owner Harvey Weinstein during the 70th Academy Awards.
Del Toro has directed a wide variety of films, from comic book adaptations (Blade II, Hellboy) to historical fantasy and horror films, two of which are set in Spain in the context of the Spanish Civil War under the authoritarian rule of Francisco Franco. These two films, The Devil's Backbone and Pan's Labyrinth, are among his most critically acclaimed works. They share similar settings, protagonists and themes with the 1973 Spanish film The Spirit of the Beehive, widely considered to be the finest Spanish film of the 1970s.
People say, you know, "I like your Spanish movies more than I like your English-language movies because they are not as personal", and I go "Fuck, you're wrong!" Hellboy is as personal to me as Pan's Labyrinth. They're tonally different, and yes, of course you can like one more than the other – the other one may seem banal or whatever it is that you don't like. But it really is part of the same movie. You make one movie.Hitchcock did one movie, all his life.
Del Toro views the horror genre as inherently political, explaining, "Much like fairy tales, there are two facets of horror. One is pro-institution, which is the most reprehensible type of fairy tale: Don't wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment."
He is close friends with two other prominent and critically praised Mexican filmmakers Alfonso Cuarón and Alejandro González Iñárritu. The three often influence each other's directorial decisions, and have been interviewed together by Charlie Rose. Cuarón was one of the producers of Pan's Labyrinth, while Iñárritu assisted in editing the film. The three filmmakers, referred to as the "Three Amigos" founded the production company Cha Cha Cha Films, whose first release was 2008's Rudo y Cursi.
In April 2008, del Toro was hired by Peter Jackson to direct the live-action film adaptation of J. R. R. Tolkien's The Hobbit. On May 30, 2010, del Toro left the project due to extended delays brought on by MGM's financial troubles. Although he did not direct the films, he is credited as co-writer in An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies.
On December 1, 2008, del Toro expressed interest in a stop-motion remake to Roald Dahl's novel The Witches, collaborating with Alfonso Cuarón. On June 19, 2018 it was announced that Del Toro and Cuarón would instead be attached as Executive Producers on the remake with Robert Zemeckis helming the project as Director and Screenwriter.
On June 2, 2009, del Toro's first novel, The Strain, was released. It is the first part of an apocalyptic vampire trilogy co-authored by del Toro and Chuck Hogan. The second volume, The Fall, was released on September 21, 2010. The final installment, The Night Eternal, followed in October 2011. Del Toro cites writings of Antoine Augustin Calmet, Montague Summers and Bernhardt J. Hurwood among his favourites in the non-literary form about vampires.
On December 9, 2010, del Toro launched Mirada Studios with his long-time cinematographer Guillermo Navarro, director Mathew Cullen and executive producer Javier Jimenez. Mirada was formed in Los Angeles, California to be a collaborative space where they and other filmmakers can work with Mirada's artists to create and produce projects that span digital production and content for film, television, advertising, interactive and other media. Mirada launched as a sister company to production company Motion Theory.
Del Toro directed Pacific Rim, a science fiction film based on a screenplay by del Toro and Travis Beacham. In the film, giant monsters rise from the Pacific Ocean and attack major cities, leading humans to retaliate with gigantic mecha suits called Jaegers. Del Toro commented, "This is my most un-modest film, this has everything. The scale is enormous and I'm just a big kid having fun." The film was released on July 12, 2013 and grossed $411 million at the box office.
Del Toro directed "Night Zero", the pilot episode of The Strain, a vampire horror television series based on the novel trilogy of the same name by del Toro and Chuck Hogan. FX has commissioned the pilot episode, which del Toro scripted with Hogan and was filmed in Toronto in September 2013. FX ordered a thirteen-episode first season for the series on November 19, 2013, and series premiered on July 13, 2014.
After The Strain's pilot episode, del Toro directed Crimson Peak, a gothic horror film he co-wrote with Matthew Robbins and Lucinda Cox. Del Toro has described the film as "a very set-oriented, classical but at the same time modern take on the ghost story", citing The Omen, The Exorcist and The Shining as influences. Del Toro also stated, "I think people are getting used to horror subjects done as found footage or B-value budgets. I wanted this to feel like a throwback." Jessica Chastain, Tom Hiddleston, Mia Wasikowska, and Charlie Hunnam starred in the film. Production began February 2014 in Toronto, with an April 2015 release date initially planned. The studio later pushed the date back to October 2015, to coincide with the Halloween season.
On August 31, 2017, the movie premiered in the main competition section of the 74th Venice International Film Festival, where it was awarded the Golden Lion for best film, making Del Toro the first Mexican director to win the award. For his work, del Toro won the Academy Award for Best Director and the Academy Award for Best Picture.
At the D23 Expo in 2009, his Double Dare You production company and Disney announced a production deal for a line of darker animated films. The label was announced with one original animated project, Trollhunters. However, del Toro moved his deal to DreamWorks in late 2010. Trollhunters was released to great acclaim on Netflix and "is tracking to be its most-watched kids original ever".
In 2017, Del Toro had an exhibition of work at the Minneapolis Institute of Art titled Guillermo del Toro: At Home with Monsters, featuring his collection of paintings, drawings, maquettes, artifacts, and concept film art. The exhibition ran from March 5, 2017, to May 28, 2017.
In 2008, del Toro announced a dark stop-motion film based on the Italian novel The Adventures of Pinocchio, co-directed by Adam Parrish King, with Jim Henson Company as production company, and music by Nick Cave. The project had been in development for over a decade. The pre-production was begun by the studio ShadowMachine. In 2017, del Toro announced that Patrick McHale is co-writing the script of the movie. In the same year, del Toro revealed at the 74th Venice International Film Festival that the film will be reimagined during the rise of Benito Mussolini, and that he would need $35 million to make it. On November 2017, it was reported that del Toro had cancelled the project because no studios were willing to finance it. In October 2018, it was announced that the film had been revived, with Netflix backing the project. Netflix had previously collaborated with del Toro on Trollhunters. Many of the same details of the project remain the same, but with Mark Gustafson now co-directing rather than Adam Parrish King.
He was married to Lorenza Newton, cousin of Mexican singer Guadalupe Pineda. They have two children. He started dating Lorenza when both were studying at the Instituto de Ciencias in Guadalajara. Del Toro and Newton separated in early 2017, and divorced in September of the same year. He maintains residences in Toronto and Los Angeles, and returns to Guadalajara every six weeks to visit his family.
He also owns two separate houses exclusively to house his books, poster artwork and other belongings pertaining to his work, explaining, "As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you've been harboring since you were 7."
In a 2007 interview, del Toro described his political position as "a little too liberal". He pointed out that the villains in most of his films, such as the industrialist in Cronos, the Nazis in Hellboy, and the Francoists in Pan's Labyrinth, are united by the common attribute of authoritarianism. "I hate structure. I'm completely anti-structural in terms of believing in institutions. I hate them. I hate any institutionalised social, religious, or economic holding."
Del Toro was raised Roman Catholic. In a 2009 interview with Charlie Rose, he described his upbringing as excessively "morbid," saying, "I mercifully lapsed as a Catholic ... but as Buñuel used to say, 'I'm an atheist, thank God.'" Though insisting that he is spiritually "not with Buñuel" and that "once a Catholic, always a Catholic, in a way." He concluded, "I believe in Man. I believe in mankind, as the worst and the best that has happened to this world." He has also responded to the observation that he views his art as his religion by saying, "It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously." Nevertheless, he became a "raging atheist" after seeing a pile of human fetuses while volunteering at a Mexican hospital. He has claimed to be horrified by the way the Catholic Church complied with Francoist Spain, down to having a character in his film quote what actual priests would say to Republican faction members in concentration camps. Upon discovering the religious beliefs of C.S. Lewis, Del Toro has stated that he no longer feels comfortable enjoying his work, despite doing so beforehand. He describes Lewis as "too Catholic" for him, despite the fact that Lewis was never a Catholic.
However, Del Toro isn't entirely disparaging of Catholicism, and his background continues to influence his work. While discussing The Shape of Water, Del Toro discussed the Catholic influence on the film, stating, "A very Catholic notion is the humble force, or the force of humility, that gets revealed as a god-like figure toward the end. It's also used in fairy tales. In fairy tales, in fact, there is an entire strand of tales that would be encompassed by the title 'The Magical Fish.' And [it's] not exactly a secret that a fish is a Christian symbol." In the same interview, he still maintained that he does not believe in an afterlife, stating "I don't think there is life beyond death, I don't. But I do believe that we get this clarity in the last minute of our life. The titles we achieved, the honors we managed, they all vanish. You are left alone with you and your deeds and the things you didn't do. And that moment of clarity gives you either peace or the most tremendous fear, because you finally have no cover, and you finally realize exactly who you are." 
In 2010, del Toro revealed that he was a fan of video games, describing them as "the comic books of our time" and "a medium that gains no respect among the intelligentsia". He has stated that he considers Ico and Shadow of the Colossus to be masterpieces.
Del Toro's favorite film monsters are Frankenstein's monster, the Alien, Gill-man, Godzilla, and the Thing. Frankenstein in particular has a special meaning for him, in both film and literature, as he claims he has a "Frankenstein fetish to a degree that is unhealthy", and that it's "the most important book of my life, so you know if I get to it, whenever I get to it, it will be the right way". He has Brazil, Nosferatu, Freaks and Bram Stoker's Dracula listed among his favourite movies.
Del Toro is also highly interested in Victorian culture. He said: "I have a room of my library at home called 'The Dickens room'. It has every work by Charles Dickens, Wilkie Collins and many other Victorian novelists, plus hundreds of works about Victorian London and its customs, etiquette, architecture. I'm a Jack the Ripper aficionado, too. My museum-slash-home has a huge amount of Ripperology in it".
Around 1997, his father Federico del Toro Torres was kidnapped in Guadalajara. Del Toro's family had to pay twice the amount originally asked for as a ransom; immediately after learning of the kidnapping, fellow filmmaker James Cameron, a friend of Del Toro since they met during the production of 1993's Cronos, withdrew over $1 million in cash from his bank account and gave it to Del Toro to help pay the ransom. After the ransom was paid, Federico was released, having spent 72 days kidnapped; the culprits were never apprehended, and the money of both Cameron and Del Toro's family was never recovered. The event prompted del Toro, his parents, and his siblings to move abroad. In a 2008 interview with Time magazine, he said this about the kidnapping of his father: "Every day, every week, something happens that reminds me that I am in involuntary exile [from my country]."
|2011||The Night Eternal|
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