Egyptian revival is an architectural style that uses the motifs and imagery of ancient Egypt. It is attributed generally to the public awareness of ancient Egyptian monuments generated by Napoleon's conquest of Egypt and Admiral Nelson's defeat of Napoleon at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt. Publication of the expedition's work, the Description de l'Égypte, began in 1809 and was published as a series through 1826. However, works of art and architecture (such as funerary monuments) in the Egyptian style had been made or built occasionally on the European continent and the British Isles since the time of the Renaissance.
The most important example is probably Gian Lorenzo Bernini's obelisk in the Piazza Navona in Rome. It influenced the obelisk constructed as a family funeral memorial by Sir Edward Lovatt Pierce for the Allen family at Stillorgan in Ireland in 1717, one of several Egyptian obelisks erected in Ireland during the early 18th century. Others may be found at Belan, County Kildare; and Dangan, County Meath. The Casteltown Folly in County Kildare is probably the best known, albeit the least Egyptian-styled.
Egyptian buildings had also been built as garden follies. The most elaborate was probably the one built by Frederick I, Duke of Württemberg in the gardens of the Château de Montbéliard. It included an Egyptian bridge across which guests walked to reach an island with an elaborate Egyptian-influenced bath house. Designed by the duke's court architect, Jean Baptiste Kleber, the building had a billiards room and a "bagnio".
The Egyptian Gates (1827–30) in Tsarskoe Selo, St. Petersburg, Russia
New after the Napoleonic invasion was a sudden increase of the number of works of art and the fact that, for the first time, entire buildings began to be built to resemble those of ancient Egypt. In France and Britain this was at least partially inspired by successful war campaigns undertaken by each country while in Egypt.
According to David Brownlee, the 1798 Karlsruhe Synagogue, an early building by the influential Friedrich Weinbrenner was "the first large Egyptian building to be erected since antiquity." According to Diana Muir Appelbaum, it was "the first public building (that is, not a folly, stage set, or funeral monument) in the Egyptian revival style." The ancient Egyptian influence was mainly shown in the two large engaged pylons flanking the entrance; otherwise the windows and entrance of the central section were pointed arches, and the overall plan conventional, with Neo-Gothic details.
Among the earliest monuments of the Egyptian revival in Paris is the Fontaine du Fellah in Paris, built in 1806. It was designed by François-Jean Bralle. A well-documented example, destroyed after Napoleon was deposed, was the monument to General Louis Desaix in the Place des Victoires was built in 1810. It featured a nude statue of the general and an obelisk, both set upon an Egyptian revival base. Another example of a still standing site of Egyptian Revival is the Egyptian Gate of Tsarskoe Selo, built in 1829.
A street or passage named the Place du Caire or Foire du Caire (Fair of Cairo) was built in Paris in 1798 on the former site of the convent of the "Filles de la Charité". No. 2 Place du Caire, from 1828, is essentially in overall form a conventional Parisian structure with shops on the ground floor and appartments above, but with considerable Egyptianizing decoration including a row of massive Hathor heads and a frieze by sculptor J. G. Garraud.
One of the first British buildings to show an Egyptian revival interior was the newspaper office of the Courier on the Strand in London. It was built in 1804 and featured a cavetto (coved) cornice and Egyptian-influenced columns with palmiform capitals. Other early British examples include the Egyptian Hall in London, completed in 1812, and the Egyptian Gallery, a private room in the home of connoisseur Thomas Hope (1769-1831) to display his Egyptian antiquities, and illustrated in engravings from his meticulous line drawings in his book Household Furniture (1807), were a prime source for the regency style of British furnishings.
The expeditions that eventually led to the discovery in 1922 of the treasure of Tutankhamun's tomb by the archaeologist Howard Carter resulted in a 20th-century revival. The revival during the 1920s is sometimes considered to be part of the art deco decorative arts style. This phase gave birth to the Egyptian theatre movement, largely confined to the United States. The Egyptian revival decorative arts style was present in furniture and other household objects, as well as in architecture.
1835: Philadelphia County Prison, Philadelphia, Pennsylvania, United States. Designed by Thomas Ustick Walter, it was demolished in 1968.
1835–37: The Egyptian House in Penzance, Cornwall. Built by local bookseller John Lavin as a museum, it is still standing.
1836-40: Temple Works, a former flax mill in the industrial district of Holbeck in Leeds, UK. Built for textile industrialist John Marshall and held the distinction of being the largest single room in the world when it was built.
1836: 4th Precinct Police Station on Rousseau Street in New Orleans. Designed by Benjamin Buisson, it originally served as a jail and police station. Later altered significantly; now used by the Knights of Babylon krewe for Mardi Gras float storage.
1838: The Tombs, a court and jail complex in New York City by John Haviland. Demolished and replaced by a new building in 1902.
1838: Pennsylvania Fire Insurance building, Philadelphia  by John Haviland. Extant.
1838–39: The Egyptian Avenue and inner circle of the Lebanon Circle in Highgate Cemetery, London.
1856: Egyptian Temple housing elephants at the Antwerp Zoo. Designed by Charles Servais.
1856: Skull and Bones undergraduate secret society at Yale University, New Haven, Connecticut in the United States. Architect's attribution in dispute, but may also be Henry Austin of the Grove Street Cemetery gates.
1922: Reebie Storage Warehouse, Chicago, Illinois, United States. It features twin statues of Ramses II and the use of ancient Egyptian images and hieroglyphics. Reliefs depict ancient Egyptians moving grain on barges.