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The culture of the Maldives is derived from a number of sources, the most important of which is its proximity to the shores of Sri Lanka and South India. The population is mainly Indo-Aryan from the anthropological point of view.
The Dhivehi language is of Indo-Iranian Sanskritic origin and therefore closely related to Sinhala, which points at a later influence from the north of the subcontinent. According to legends, the kingly dynasty that ruled the Maldives in the past has its origin there.
These ancient kings may have brought Buddhism from the subcontinent, but it is not clear. In Sri Lanka, there are similar legends, but it is improbable that the ancient Maldive royals and Buddhism came both from that island, because none of the Sri Lankan chronicles mentions the Maldives. It is unlikely that the ancient chronicles of Sri Lanka would have failed to mention the Maldives, if a branch of its kingdom had extended itself to the Maldive Islands.
Since the 12th century AD, there have also been influences from Arabia in the language and culture of the Maldives, because of the general conversion to Islam at that time, and its location as a crossroads in the central Indian Ocean.
In the islands' culture, there are a few elements of African origin as well, from slaves brought to the court by the Royal family and nobles from their Hajj journeys to Arabia in the past. There are islands like Feridhu and Maalhos in Northern Ari Atoll, and Goidhu in Southern Maalhosmadulhu Atoll where many of the inhabitants trace their ancestry to released African slaves.
The status of women in the Maldives was traditionally fairly high, as attested to in part by the existence of four Sultanas. Women do not veil, nor are they strictly secluded, but special sections are reserved for women in public places, such as stadiums and mosques. Women do not accept their husbands' names after marriage but maintain their maiden names. Inheritance of property is through both males and females.
Women have always had an important role in the family and community. In the early history of Maldives, it was not uncommon to have a woman as a Sultana or ruler and it has been suggested that the society was once a matriarchy. In today's society women hold strong positions in government and business. A large percentage of government employees are women. The male female ratio of enrollment and completion of education to secondary school standards remains equivalent. Women serve in the cabinet and the Parliament.
Maldivian culture shares many aspects of a strong matriarchal tradition with ancient Dravidian culture. A unique feature of Maldivian society is a very high divorce rate, which has been attributed by some as due to early marriage. Others have seen this extremely high divorce rate as reflecting the combination of liberal Islamic rules about divorce and the relatively loose marital bonds that may be produced by the lack of a history of fully developed agriculture and the accompanying codes of agrarian honor and property relations.
Polygamy in the Maldives is legal, though such unions have been reported to be very uncommon. Even so, fifty-nine polygamous marriages took place in 1998. Polygamy is also specifically covered by a 2001 Maldivian law, which orders courts to assess a man's finances before letting him take another wife.
Judaage Aminat Didi in 1982, wearing the simple customary libaas worn by all southern Maldivian women before the modern islamization promoted by President Maumoon. Fua Mulaku women initially resisted and the first "burugaa" head covering reached Fua Mulaku only in 1989.
The cuisine of Maldives is mainly fish as the fishing industry is the second-largest industry in the country. Daily meals include rice and fish, the most common foods, with fish being the most important source of protein in the average diet. Very few vegetables are eaten due to a lack of farming land in the country. Elders smoke guduguda, an elongated pipe that goes through a trough of water. Most food served in tourist resorts is imported. On ceremonial occasions, meat other than pork is eaten. Alcohol is not permitted except at tourist resorts. The local brew raa is consumed instead of alcoholic beverages. Basic commodities such as rice, sugar, and flour are imported.
Hafali doni. A six-oared fishing boat with a detachable mast and a square sail. Fua Mulaku, 1982.
The Maldivian folklore is the body of myths, tales and anecdotes belonging to the oral tradition of Maldivians. Even though some of the Maldivian myths were already mentioned briefly by British commissioner in Ceylon HCP Bell towards the end of the 19th century, their study and publication were carried out only quite recently by Spanish writer and artist Xavier Romero-Frias, at a time when that ancestral worldview was quickly disappearing.
Culturally, Maldivians feel some affinity to Northern India through their language, which is related to the languages of North India. Most older generation Maldivians like to watch Hindi movies and listen to Hindi songs. Many popular Maldivian songs are based on Hindi tunes. The reason is that out of a similar language, similar rhythms and cadences develop. In fact, it is very easy for Maldivians to fit local lyrics to a Hindi song. Bollywood songs are among the most popular songs in Maldives, especially the old ones from Mohammad Rafi, Mukesh, Lata Mangeshkar, and Asha Bhonsle. Therefore, most local Maldivian dances and songs are based in (or influenced by) North Indian Kathak dances and Hindi songs.
The favourite musical instrument of Maldivians is the bulbul tarang, a kind of horizontal accordion. This instrument is also used to accompany devotional songs, like Maulūd and Maadhaha. The Bodu Beru (literally "Big Drum") drumming performances are said to have African roots.
Maahefun Festival in Fuvahmulah was held in July 31st 2011 with more than 4000 people from Fuvahmulah and other islands of Maldives.
The Maldives has its own film industry.
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