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|Directed by||Joseph Anthony|
|Produced by||Hal Wallis|
|Written by||Dalton Trumbo|
|Music by||Franz Waxman|
|Edited by||Warren Low|
|Distributed by||Paramount Pictures|
|Box office||$3 million (est. US/ Canada rentals)|
The movie involves actor Sam Lawson (Franciosa), bent on breaking into the big time at any cost, braving World War II, the Korean War and even the blacklist, something that writer Trumbo knew all too well from being blacklisted himself.
Career was written by Bert Granet, James Lee (whose play served as the foundation for the film), Philip Strong and Trumbo, and directed by Joseph Anthony. The film was nominated for three Academy Awards and won one Golden Globe Award.
Back from action in World War II, Sam Lawson (Tony Franciosa, who has second billing in the film despite being in every scene) leaves home and friends in Lancing, Michigan to fulfil his ambitions to make it as an actor in New York. After many auditions he joins the off-Broadway grassroots theatre group called the Actors' Rostrum, run by actor-director Maurice "Maury" Novak (Dean Martin) out of a seamen's mission in Greenwich Village. When the theatre group runs out of money, Novak leaves the theater eventually to become a well known Hollywood director.
Lawson continually tries to establish himself as an actor, suffering the slings and arrows of rejection despite his dedication and passion for the theater. It costs him his first wife, played by Joan Blackman. Lawson's long-suffering agent Shirley Drake (Carolyn Jones) attempts to get him work and after marrying Sharon Kensington and with the grudging backing of his new father-in-law, Lawson's star slowly begins to rise. But Sharon is in love with Novak and pregnant with his child. Lawson makes a deal to give her a divorce for the lead in the new Novak production. But Novak reneges on the deal. After more struggle, Drake manages to find Lawson a job but he has been called up from the reserves to serve in Korea, where he sees out the end of the war.
Lawson returns to the rounds of auditions in New York. Just as he's about to land a long-term TV announcing job, his loyalty is researched and to Lawson's shock he is found to be on the blacklist. This is owing to his connection with Novak and the allegedly "subversive" theater work of the Actors' Rostrum. Drake explains, "Sam, these are very responsible, patriotic people. They're just trying to protect their country." The now blacklisted Lawson, reflecting the realities of real-life blacklisted actors, is forced to take work as a waiter. When Drake asks him what he's going to do, Lawson replies: "There's only one thing for me to do. Survive." In one sense this was among Hollywood's first direct documentations of the blacklist in a dramatic film.
Novak, himself on the skids, appears back in Lawson's life, vowing to start fresh with a new off-Broadway theater. Novak confesses that he was briefly a communist in the past, but for opportunistic, career reasons. He offers Lawson a chance to work together again. After an accidental meeting with his first wife, who now understands Lawson's ambition, Lawson quits restaurant work and accepts the offer. With the blacklist past, the new play becomes successful and heads to Broadway. With Lawson finally emerging as a major actor, Drake, who has fallen in love with Lawson, asks him in the final scene, thinking of his struggles and humiliation, if it was "worth it."
"Yes," says Lawson. "It was worth it."
The film won the Golden Globe Award for Best Actor – Motion Picture Drama (Franciosa)