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National Azerbaijani folklore samples followed by eposes such as Kitabi-Dede Gorgud, Gurbani, Koroglu, Shah Ismayil, Abbas and Gulgaz and Asli and Kerem, tales, bayatys, holavars, lullabies, anecdotes, riddles, proverbs and aphorisms. Azerbaijani myths mainly based on the heroism and wisdom of a human being, which demonstrated in epics such as Epic of Köroğlu, Book of Dede Korkut and Əsli və Kərəm.
The story of Köroǧlu (lit. son of the blind) begins with his father's loss of sight. The feudal lord Hasan Khan blinds his stable manager Ali Kişi for a trivial offense by plucking out his eyes. . Köroǧlu character is supported by several historical evidence. In the late 16th century, the historical Köroǧlu was a leader of jelali rebellion, which broke out Azerbaijan in the border area between Persia and Turkey. Regarding to the Turkish scholar, Pertev Naili Boratov, Turkish sultan ordered to catch the leader of jelali called Köroǧlu (Rushan by name) during the 1580s.
The character of Korkut is a white-bearded old man who is the narrative of the tale and guardian of the epic tradition. The book of Dede Korkut is known to the modern world from the two manuscripts belong to the late 16th century.
Baba-I Amir was a comic character in Azerbaijani folklore.
“Bayati” is a short and ancient Azeri folk poetry containing four lines with seven syllable in each. They represent human feelings in a poetic form. Several forms of this genre differ from one another according to their telling form and subject. For instance, bayati-baglama, bayati deyishme (competition in saying bayati), vesfi-hal (praising), petting, holavar (labor poems). In these verses, ancient medical cures are mostly emphasized such as water-mint, spearmint, chamomile and basil that used as a treatment.
Ashik poetry is known as an ancient folk poetic performance in Caucasus. Poet-singers called ashiks narrated ancient tales and legends with stringed instrument kobuz in Azerbaijan. This way folk tales such as Köroǧlu and The Book of Dede Korkut preserved until today. Köroǧlu heroic dastan is the most famous Azerbaijani ashik epic and narrated by the third person, who is an ashik himself. Basic story spread from the origin place where supposed Anatolia or Azerbaijan into Turkmenistan, Uzbekistan, Tajikistan by changing its content and character at every stage. In the Middle East ashiks regarded as a poet, singer, composer or musician. In Azerbaijani, the meaning of ashik is the lover of nature and life and accepted as a creator of national folk music and poetry.
Natural forces were the main subject for the national folklore samples in Azerbaijani folklore and people tried to express them by words or movements. The most popular ceremonial songs and dances were Kosa-Kosa, Godu-Godu, Novruz and Xidir Nabi which show dramatic genres of Azeri folklore.
Regarding to the UNESCO Convention of 20 October 2005, “On the Protection and Promotion of the Diversity of Cultural Expression” a number of activities have been carried out in the regions of Azerbaijan in order to promote the folklore, culture and art of ethnic groups. Azerbaijan joined to the convention in 2009. Azerbaijan Ministry of Culture and Tourism organizes the festival called “Azerbaijan, the native land” dedicated to the national minorities back in 2006. Within the framework of the festival, various ethnic minorities attend in for presenting their folklore. Internationally broadcasting festival hosts approximately 500 participants from all ethnic regions of Azerbaijan. Festival is presented in English, too. There about 41 music and art schools for children in the regions where ethnic groups are populated. In those schools, folklore and ethnic culture are taught.
Azerbaijan folklore institute was established in 1994 on the base of the Literature Institute named after Nizami Azerbaijan National Academy of Sciences (ANAS). Although it has started its activity as an independent structure unit of ANAS since 2003, in the early years of the establishment Cultural Center it acted as a division of the center.
In 2012, the Department of Folklore and Ethnic Minorities, which is responsible for the collection of folklore samples, was launched in the Folklore Institute of Azerbaijan. The main goal of the department is arranging the preservation and research of the assembled folklore samples.
There are many books and articles in Persian such as, “Azerbayjan Folklorunden Numunahlar” by Hidayat Hasari and “Folklor Ganjinahsi, Oyunlar” by Zahareh Vafasi have been written about the Azerbaijani folklore, which cover various aspects of the country folklore. Samad Behrangi is a writer who was born in Tabriz in 1939 has written children's stories about Azerbaijani folklore. Yagub Khoshgabani and his wife collected and studied Azerbaijani folklore by travelling and taping folklore records in accordance with the statements of elders.