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Ava DuVernay

Ava DuVernay
DuVernaySanFranFilmFest.jpg
DuVernay in 2010
Born Ava Marie DuVernay
(1972-08-24) August 24, 1972 (age 45)
Long Beach, California, United States
Nationality American
Alma mater UCLA
Occupation Filmmaker
Notable work Selma, 13th
Website www.avaduvernay.com

Ava Marie DuVernay (/ˈvə ˌdjvərˈn/; born August 24, 1972) is an American director, screenwriter, film marketer, and film distributor. At the 2012 Sundance Film Festival, DuVernay won the Best Director Prize for her second feature film Middle of Nowhere,[1] becoming the first African-American woman to win the award.[2] For her work in Selma (2014), DuVernay was the first black female director to be nominated for a Golden Globe Award.[3][4] With Selma, she was also the first black female director to have her film nominated for the Academy Award for Best Picture. In 2017, she was nominated for the Academy Award for Best Documentary Feature for her film 13th (2016).

DuVernay's next film, A Wrinkle in Time, reportedly has a budget exceeding $100 million, making DuVernay the first black woman to direct a live-action film with a budget of that size.[5]

Early life

DuVernay was born in Long Beach, California.[6] She grew up in Lynwood, California (near Compton)[7] and graduated in 1990 from Saint Joseph High School in Lakewood.[8] At the University of California, Los Angeles (UCLA), she was a double major in English and African-American studies.[6][9][10]

During her summer vacations, she would travel to the childhood home of her father, Murray Maye (which was not far from Selma, Alabama).[11] DuVernay said that these summers influenced the making of Selma, as her father saw the Selma to Montgomery marches as a small child.[12]

Career

Her first interest was in journalism, a choice influenced by an internship with CBS News, where she was assigned to help cover the O.J. Simpson murder trial.[9] She became disillusioned with journalism however, and decided to move into public relations, eventually opening her own public relations firm, The DuVernay Agency.[6][9][13][14]

Film

DuVernay made her feature directorial debut in 2008 with the documentary This Is the Life, a history of LA's Good Life Cafe's arts movement. DuVernay began with documentaries because they can be done on a smaller budget than a feature film, and she could learn the trade while doing so.[15]

In 2011, DuVernay's first narrative feature film, I Will Follow, a drama starring Salli Richardson-Whitfield, was released theatrically. DuVernay's aunt Denise Sexton was the inspiration for the film.[16] The film cost DuVernay $50,000 and was made in 14 days.[14] Roger Ebert called it "one of the best films I've seen about coming to terms with the death of a loved one."[17][18] I Will Follow was an official selection of AFI Fest, Pan-African Film Festival, Urbanworld and Chicago International Film Festival.

In the summer of 2011, DuVernay began production on her second feature film, Middle of Nowhere. The film was acquired by AFFRM and Participant Media at the 2012 Sundance Film Festival, where it played in U.S. Dramatic Competition and garnered the Best Director Award for DuVernay, the first African-American woman to ever win the prize. DuVernay also won the Independent Spirit John Cassavetes Award for her work on the film.

ESPN commissioned DuVernay to produce and direct Venus Vs., a documentary on Venus Williams' fight for equal prize money for their film series Nine for IX, which aired on July 2, 2013.[19]

In 2015, DuVernay was in consideration to direct and possibly co-write Marvel Studios' Black Panther film. She ultimately decided not to join the project.

DuVernay was commissioned by the Smithsonian National Museum of African American History and Culture to create a film for the museum's opening. August 28: A Day In The Life Of A People tells a story through events that happened on the same date over history, August 28. The 22-minute film includes Lupita Nyong'o, Don Cheadle, Regina King, David Oyelowo, Angela Bassett, Michael Ealy, Gugu Mbatha-Raw, Andre Holland and Glynn Turnman. It focuses on events surrounding the murder of Emmett Till, Dr. Martin Luther King's "I Have A Dream" speech, Hurricane Katrina and the night then-senator Barack Obama accepted the Democratic nomination for president at the 2008 DNC.[20]

Duvernay with David Oyelowo and Colman Domingo in 2015

Selma

DuVernay directed Selma, a $20 million budget film produced by Plan B Entertainment, about Martin Luther King, Jr., Lyndon B. Johnson, and the 1965 Selma to Montgomery march.[21] The movie was released on December 25, 2014 to critical acclaim and generally positive reviews.[22]

For the film she did uncredited re-writes of most of the original screenwriter Paul Webb's script with an increased emphasis on King and the people of Selma as central figures.[23][24] In response to the criticisms of historians and media sources that accused her of irresponsibly rewriting history to portray her own agenda, DuVernay pointed out that the film is "not a documentary. I'm not a historian. I'm a storyteller".[25]

The film was nominated for Best Picture and Best Original Song, but not Best Director, by the Academy Awards. The lack of diversity of the Oscar nominations for 2014 was the subject of much press,[26] especially on Twitter,[27] and the film of the only person of color that was nominated for the 87th Academy Awards, Mexican director Alejandro G. Iñárritu. The award for Best Original Song went to "Glory" from Selma.[28][29]

DuVernay stated that she had not expected to be nominated so the omission didn't really bother her; rather she was hurt by actor David Oyelowo not being nominated. As to the question of racial diversity of awards, she stated that the obstacles to people of color being represented in the Academy Awards were systemic.[27]

DuVernay in 2015

13th

In July 2016 the New York Film Festival made the surprise announcement that 13th, a documentary directed by DuVernay, would open the festival. Until the announcement no mention of the film had been made by either DuVernay or Netflix, the film's distributor.[30] Centered on race in the United States criminal justice system, the film is titled after the Thirteenth Amendment to the United States Constitution, which outlawed slavery (unless as punishment for a crime). DuVernay's documentary opens with the idea that 25 percent of the people in the world who are incarcerated are incarcerated in the U.S. and argues that slavery is being effectively perpetuated in the U.S. through mass incarceration. The film features several prominent activists, politicians, and public figures such as, Angela Davis, Bryan Stevenson, Van Jones, Newt Gingrich, Cory Booker, Henry Louis Gates Jr., and others.[31]

It was released on October 7, 2016 on Netflix.[32]13th has garnered acclaim from film critics and is currently at a 97% rating on Rotten Tomatoes based on 69 reviews, with the critical consensus that states: "13th strikes at the heart of America's tangled racial history, offering observations as incendiary as they are calmly controlled."[33] In 2017, the film was nominated for an Academy Award for Best Documentary Feature at the 89th Oscars,[34] making DuVernay the first black woman to be nominated as a director by the academy in a feature category.[35]

A Wrinkle in Time

In 2010, it was announced that Disney retained film rights to adapt the novel A Wrinkle in Time.[36] Following the success of Tim Burton's Alice in Wonderland, Disney announced the hire of Jeff Stockwell to write the screenplay for Cary Granat and his new Bedrock Studios. Cary Granat had previously worked with Disney on the Chronicles of Narnia and Bridge to Terabithia films.[37] On August 5, 2014, Jennifer Lee was announced as the screenwriter taking over from Stockwell, who wrote the first draft.[38][39] On February 8, 2016, it was reported that DuVernay was offered to direct the film, and she was confirmed to direct later that same month.[40][41]

A Wrinkle in Time began filming in November 2016, making DuVernay the first woman of color to direct a live-action film with a budget of over $100 million.[5]

Television

DuVernay directed episode 3.08 of Scandal which was called "Vermont is For Lovers, Too".[42]

In 2015, DuVernay executive produced and directed the CBS civil rights crime drama pilot For Justice starring Anika Noni Rose.[43] It was not picked up for distribution.[citation needed]

That same year DuVernay announced she would be creating and executive producing the upcoming drama series, Queen Sugar, alongside Oprah Winfrey. The drama was set to air on Oprah Winfrey Network.[44][45] In 2016, DuVernay announced that actress Rutina Wesley had been cast in the lead role.[46] The series premiered in 2016 to critical acclaim and positive reviews.[47]

Film distribution

In 2010 DuVernay began AFFRM (the African-American Film Festival Releasing Movement) her own company to distribute films made by or focusing on black people. DuVernay refers to AFFRM as "not so much a business, but a call to action" [48]

Although building strong business foundations for films is a priority, DuVernay stresses that the driving force of the organization is activism.[49]

In 2015 the company rebranded itself under the name ARRAY, promising a new focus on women filmmakers as well.

Future projects

In 2013, she announced development on a narrative [50] feature film entitled Part of the Sky set in Compton.

In 2015, it was announced that DuVernay would be writing, producing, and directing her next project, a fictional account which will focus on the "social and environmental" aspects of Hurricane Katrina while including a love story and a murder mystery.[51] David Oyelowo, from Selma, will be part of the project.[52]

Other work

In 2010, DuVernay directed several network music documentaries, including My Mic Sounds Nice for BET Networks and the Essence Music Festival 2010 for TV One.

In 2013, DuVernay partnered with Miu Miu as part of their Women's Tales film series.[53] Her short film The Door starred actress Gabrielle Union and reunited DuVernay with her Middle of Nowhere star Emayatzy Corinealdi. The film was later presented at the 70th Venice International Film Festival.[54]

In August 2013, DuVernay released a second short film through Vimeo entitled Say Yes.[55] The film was sponsored by cosmetic brand Fashion Fair and starred Kali Hawk and Lance Gross. Julie Dash, Victoria Mahoney, Lorraine Toussaint and Issa Rae appeared as extras in the film.

In September 2013, DuVernay started a podcast series called The Call-In,[56] a series of phone conversations recorded by African-American Film Festival Releasing Movement ("AFFRM") of Black filmmakers of feature narrative and documentary work.

On March 14, 2015, DuVernay gave a keynote address[57] at the 2015 SXSW Film Festival.[58][59] In the speech, DuVernay shared that she was the seventh choice of people asked to direct Selma[60] and described her experience at the 2015 Oscars, while being an honor to be able to attend, it was just "a room in L.A."[61]

Style and themes

"Like other African American filmmakers, including pioneers of past generations, DuVernay subscribes to the ethos that art serves a social purpose, debunks demeaning and normative assumptions about black people, and renders black humanity in all manner of genres and complexity."[49] Like many black art movements before her, she continues to advocate for black empowerment and representation in the media.

Two core themes embody her line of work. First, is sustained interrogation that engages with black women's agency and subjectivity. Second, she refers to family as "site and source of resilience, memory, cultural transmission, generational continuity and dissonance, and as purveyor of all things affirming of black identity".[49]

Michael T. Martin has said "DuVernay is among the vanguard of a new generation of African American filmmakers who are the busily undeterred catalyst for what may very well be a black film renaissance in the making."[49] He further speaks of DuVernay’s mission and "call to action" which constitutes a strategy "to further and foster the black cinematic image in an organized and consistent way, and to not have to defer and ask permission to traffic our films: to be self-determining."[49]

One step towards this strategy has been her founding of the collective AFFRM.

Filmography

Year Film Role Notes
2018 A Wrinkle in Time Director
2016–present Queen Sugar Creator, executive producer, writer and director
2016 13th Director/Writer Documentary
Nominated–Academy Award for Best Documentary Feature
2014 Selma Director/Co-writer African-American Film Critics Association Award for Best Director
Black Film Critics Award for Best Director
Black Reel Award for Best Director
Nominated–Independent Spirit Award for Best Director
Nominated–Satellite Award for Best Director
Nominated–Dallas-Fort Worth Film Critics Association Award for Best Director
Nominated–Golden Globe Award for Best Director
Nominated–Critics' Choice Movie Award for Best Director
Nominated–NAACP Image Award for Outstanding Director
Nominated–Online Film Critics Society Award for Best Director for Best Director
Nominated–Washington D.C. Area Film Critics Association Award for Best Director
2013 Scandal Director Episode: "Vermont is For Lovers, Too"
2013 Say Yes for Fashion Fair Director/Writer Branded Short
2013 Venus Vs. Director/Writer Television Documentary
2013 The Door for Prada Director/Writer Branded Short
2012 Middle of Nowhere Director/Writer U.S. Directing Award: Dramatic (2012 Sundance Film Festival)
2010 I Will Follow Director/Writer Narrative Feature Film
2010 My Mic Sounds Nice Director/Executive Producer Television Documentary
2010 Essence Music Festival '10 Director/Writer Television Documentary
2010 Faith Through the Storm Director/Writer Television Documentary
2008 This Is the Life Director/Producer Feature Documentary
2007 Compton in C Minor Director/Producer Short Documentary
2006 Saturday Night Life Director/Writer Narrative Short

Awards, nominations, honors

  • In 2012, Variety feautued Duvernay in its Women's Impact Report.
  • In June 2013, she was invited to both the director's and writer's branches of AMPAS.[62] DuVernay was only the second black woman, following Kasi Lemmons, to be invited to the director's branch.
  • Duvernay became the inaugural recipient of the Tribeca Film Institute's Heineken Affinity Award, receiving a $20,000 prize and industry support for future projects. DuVernay donated all the money to the black arthouse film collective she founded known as AFFRM.[63]
  • In June 2015, Duvernay will be honored as part of Women in Film Crystal + Lucy Awards with the Dorothy Arzner Directors Award.[64][65]
  • In April 2015 DuVernay was chosen as one of Mattel's "Sheros" of 2015. As such a custom-made one-of-a-kind Barbie in DuVernay's likeness was produced. The doll was auctioned off with the proceeds given to charity.[66] Due to high demand, a collectible version of the doll was produced and sold in December of that year.[67]
  • In 2017, DuVernay became the first black woman nominated for an Oscar for Best Documentary Feature, which she was nominated for her film 13th.[68][69]
Year Award Category Work Result
2011 African-American Film Critics Best Screenplay I Will Follow Won
2012 Black Reel Awards Best Screenplay Nominated
Best Director Nominated
NAACP Image Awards Outstanding Independent Motion Picture Nominated
Sundance Film Festival Directing Award Middle of Nowhere Won
Grand Jury Prize Nominated
Film Independent Spirit Awards Independent Spirit John Cassavetes Award Won
Humanitas Prize Sundance Film Nominated
African-American Film Critics Best Independent Film Won
Best Screenplay Won
Best Picture Nominated
Alliance of Women Film Journalists Best Woman Screenwriter Nominated
Women Film Critics Circle Josephine Baker Award Won
2013 Black Reel Awards Best Director Won
Best Screenplay Won
Best Film Nominated
Gotham Awards Best Feature Nominated
2014 Online Film Critics Society Award Best Director Selma Nominated
Black Film Critics Circle Best Director Won[70]
Central Ohio Film Critics Association Best Director Won
Breakthrough Film Artist Won
Dallas-Fort Worth Film Critics Association Award Best Director Nominated
Georgia Film Critics Association Best Director Nominated
Breakthrough Award Nominated
Golden Globe Award Best Director Nominated
Alliance of Women Film Journalists Best Director Nominated
Best Woman Director Won
Female Icon of the Year Won
Critics' Choice Movie Awards Best Director Nominated
Satellite Awards Best Director Nominated
Film Independent Spirit Awards Best Director Nominated
2016 Grammy Awards Best Compilation Soundtrack for Visual Media Nominated
Alliance of Women Film Journalists Best Woman Director 13th Won
Outstanding Achievement by a Woman in the Film Industry Won
Black Reel Awards Best Film Nominated
Best Feature Documentary Won
Critics' Choice Documentary Awards Best Director (TV/Streaming) Won
Women Film Critics Circle Best Woman Storyteller (Screenwriting Award) Won
Courage in Filmmaking Won
2017 Academy Award Best Documentary Feature Nominated
Primetime Emmy Award Outstanding Documentary or Nonfiction Special Won
Outstanding Directing for Nonfiction Programming Nominated
Outstanding Writing for Nonfiction Programming Won

DuVernay Test

The DuVernay Test is the race equivalent of the Bechdel Test (for women in movies), as suggested by New York Times film critic, Manohla Dargis, in early 2016. It aims to point out the lack of people of color in Hollywood movies, through a measure of their importance to a particular movie or the lack of a gratuitous link to white actors.[71] It is named for African-American film director Ava DuVernay.

Nadia Latif and Leila Latif of The Guardian have suggested a series of five questions:

  • Are there two named characters of color?
  • Do they have dialogue?
  • Are they not romantically involved with one another?
  • Do they have any dialogue that isn’t comforting or supporting a white character?
  • Is one of them definitely not magic?[72]

A simplified version by Nikesh Shukla proposed a Bechdel-type test: “Two main characters who are people of color talk to each other without mentioning their race.”

References

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  2. ^ Farabee, Mindy (December 20, 2012). "Ava DuVernay no longer in 'Middle of Nowhere'". The Los Angeles Times. Retrieved November 24, 2014. 
  3. ^ "Golden Globes: 'Selma's' Ava DuVernay Becomes First Black Woman to Receive Director Nomination". The Hollywood Reporter. December 11, 2014. Retrieved December 11, 2014. 
  4. ^ Suskind, Alex (December 17, 2014). "How Ava DuVernay struck a chord with Selma". The Guardian. Retrieved January 13, 2015. 
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  41. ^ [collider.com]
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  66. ^ Lee, Benjamin (24 April 2015). "Holding out for a Shero: Selma director Ava DuVernay gets her own Barbie doll". The Guardian. Retrieved 7 December 2015. 
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  68. ^ Jenelle Riley (2016-10-03). "2017 Oscars: Diversity Makes Comeback, Record Six Black Actor Nominees". Variety. Retrieved 2017-01-25. 
  69. ^ "Best Documentary Feature". heraldextra.com. 2017-01-18. Retrieved 2017-01-25. 
  70. ^ Tapley, Kristopher (December 23, 2014). "'Selma' dominates Black Film Critics Circle awards". HitFix. Retrieved December 24, 2014. 
  71. ^ Could This Be the Bechdel Test for Race?, Dayna Evans, thecut.com, 2016-02-01, accessed 2017-06-20
  72. ^ How to fix Hollywood's race problem, Nadia Latif and Leila Latif, The Guardian, 2016-01-19, accessed 2017-06-20

External links