This page uses content from Wikipedia and is licensed under CC BY-SA.
Khan at Burdwan House in Dhaka in 1955
|Native name||আলাউদ্দিন খাঁ|
Shibpur, Nabinagar, Brahmanbaria, Bengal Presidency, British India
|Died||6 September 1972(aged 109–110)|
|Genres||Hindustani classical music|
|Instruments||Shehnai, sarod, sitar, bansuri|
Allauddin Khan, also known as Baba Allauddin Khan (1862 – 6 September 1972) was an Indian sarod player and multi-instrumentalist, composer and one of the most notable music teachers of the 20th century in Indian classical music.
Khan was born in Shibpur village in Brahmanbaria (in present-day Bangladesh). His father, Sabdar Hossain Khan, was a musician. Khan took his first music lessons from his elder brother, Fakir Aftabuddin Khan. At age ten, Khan ran away from home to join a jatra party where he was exposed to a variety of folk genres: jari, sari, baul, bhatiyali, kirtan, and panchali.
Khan went to Kolkata, where he met a physician named Kedarnath, who helped him to become a disciple of Gopal Krishna Bhattacharya (also known as Nulo Gopal), a notable musician of Kolkata in 1877. Khan practiced sargam for twelve years under his guidance. After the death of Nulo Gopal, Khan turned to instrumental music. He learned to play many indigenous and foreign musical instruments like sitar, flute, piccolo, mandolin, banjo, etc., from Amritalal Dutt, a cousin of Swami Vivekananda and the music director of the Star Theatre. He learnt to play sanai, naquara, tiquara and jagajhampa from Hazari Ustad and pakhawaj, mridang and tabla from Nandababu.
Khan became court musician for the Maharaja of Maihar. Here he laid the foundation of a modern Maihar gharana by developing a number of ragas, combining the bass sitar and bass sarod with more traditional instruments and setting up an orchestra. In 1935, he toured Europe, along with Uday Shankar's ballet troupe, and later also worked at his institute, Uday Shankar India Culture Centre at Almora for a while. In 1955, Khan established a college of music in Maihar. Some of his recordings are made at the All India Radio in 1959–60.
Khan was awarded the Padma Bhushan in 1958 and the Padma Vibhushan in 1971, India's third and second highest civilian honours, and prior to that in 1954, the Sangeet Natak Akademi awarded him with its highest honour, the Sangeet Natak Akademi Fellowship for lifetime contribution to Indian music.
Khan's son Ali Akbar Khan, daughter Annapurna Devi, nephew Raja Hossain Khan and grandson Aashish Khan went on to become musicians. His other disciples include Ravi Shankar, Nikhil Banerjee, Vasant Rai, Pannalal Ghosh, Bahadur Khan, Rabin Ghosh, Sharan Rani, Jotin Bhattacharya, Rajesh Chandra Moitra and W. D. Amaradeva.
Anecdotes about Khan range from throwing a tabla tuning hammer at the Maharaja himself to taking care of disabled beggars. Nikhil Banerjee said that the tough image was "deliberately projected in order not to allow any liberty to the disciple. He was always worried that soft treatment on his part would only spoil them".
He is believed by some to have lived to the age of 110, although the conjectural birth date of 1881 is more likely