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Alexander Lenard (Hungarian: Lénárd Sándor; Latin: Alexander Lenardus; (Budapest, 9 March 1910 – Dona Emma, Brazil, 13 April 1972) was a Hungarian physician, writer, translator, painter, musician, poet and occasional language instructor. He was born in Budapest, Hungary and died in Dona Irma (Dona Emma), in the state of Santa Catarina, Brazil. He is best known as the Latin translator of A. A. Milne's Winnie the Pooh (Winnie Ille Pu). He wrote fiction and non-fiction in German, Latin, Hungarian, Italian and English.
Lenard was born in the family oа Jenő Lénárd (1878-1924) und Ilona Hoffmann (1888-1938), he was the first son in their family.
In 1920 the Lénárd family moved from Hungary to Austria. His first sduding was as a private lessons at home because he couldn't stand being at school. In 1920-1921 he began his study at Wiener Theresianum (a board school in Vienna) where he was being hungry and cold, and only a few days at home at weekends were a real happiness to him. But he did'n stay in this school for long because their family moved to Klavierstudium and there he finished his studying in 1928. During his leisure time he was practicing in playing piano, rowing, swimming and running.
Sándor conducted his medical studies at the University of Vienna. He continued studying in the Univerdity till 1936 and had a good relationship with the professors and his fellow students, with some of them, the likes of Karl Adams and Egon Fenz, he had contacts till his death. During the period of 30' he travelled a lot and visited such countries as Greece, Danmark, England and Czech Republic, France and Turkey. In 1936 he married Gerda Coste, which gave birth to their son Hans-Gerd.
After the 1938 "Anschluss" with Germany, he escaped to Italy. There is no notice if he had obtained his certificate in medicine because literature and poetry were more attractive to him. His staying in Italy he described as a very productive time for his poetry. At the beginning of the World War II he attempted to join the French Army in Basel as a volunteer but failed to do this. During World World II, he escaped the attention of the Fascist regime by leaving no "paper trail" (identity card, ration card, etc.). He survived by trading his medical services for food and shelter. His leisure hours were spent in the Vatican library, reading texts in Latin until it became a colloquial language to him. He met his second wife Andrietta Arborio di Gattinara from noble family in 1942. His brother Károly died in 1944 in a Nazi labour camp (Arbeitslager) while his sister settled in England.
In 1951 he emigrated to Brazil, where he won the São Paulo Television Bach competition in 1956. He settled in the Dona Irma valley, where he bought a small farm with a house he made "invisible" by surrounding it with his favourite trees. He treated the local population medically until his death in 1972.
While in Brazil, he tutored the daughter of a local resident in Latin, and she expressed the wish for something interesting to read. In response, he translated Winnie the Pooh, for which he combed the classics for idiomatic expressions used during ancient times. Privately printed, the book gradually reached larger audiences until it became an international best-seller. He also wrote fiction (prose and poetry), and non-fiction such as musical, culinary, linguistic and medical essays and studies. As of 2010[update] two of his original books have been published in English – The Valley of the Latin Bear (1965), and The Fine Art of Roman Cooking (1966). He translated the A.A. Milne’s book Winnie-the-Pooh in Latin as it was noticed. He was working on this translation for about 7 years and could not find a publisher to have this work edited. And at last he published the first copies by his own money.
In addition to his fiction writing, Lenard authored essays and treatises on literary and medical topics.
In 2009, the New York Film Festival premiered Lynne Sachs's The Last Happy Day, an experimental retelling of Lenard's life story from the intimate perspective of his distant cousin turned filmmaker. The film features unpublished letters from the 1940s to 1970s written by Lenard to his relatives in the United States, as well as interviews and archival photos. A year after the film's debut, the Hungarian Quarterly published an essay by Sachs along with some of Lenard's letters.