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    1. Art for the nation : exhibitions and the London public, 1747-2001 by Brandon Taylor, Barber Institute of Fine Arts.
      Format:
      Print Book
      Publication year:
      ©1999

      Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art and sections or classes of the population as a whole. This absorbing study concentrates on London.

      Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art and sections or classes of the population as a whole. This absorbing study concentrates on London. Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art and sections or classes of the population as a whole…
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      Details opened. Press escape to close. Art for the nation : exhibitions and the London public, 1747-2001
      Art for the nation : exhibitions and the London public, 1747-2001 by Brandon Taylor, Barber Institute of Fine Arts.
      Format:
      Print Book
      Publication year:
      ©1999
      Held by other libraries worldwide
      Check Availability
      Read Alternate Summary/Abstract

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      View Description
      Publication:
      Manchester : Manchester University Press, ©1999.
      Physical Description:
      xvii, 314 pages, 8 unnumbered pages of plates : illustrations (some color), map, plans, portraits ; 25 cm.
      More Author / Title Information:
      Brandon Taylor.
      Language:
      English
      Staff View:
      MARC Record
      ISBN:
      0719054524 9780719054525 0719054532 9780719054532 9780718954536 071895453X
      OCLC Number:
      41211941
      Series:
      Contents:
      • 1. In the image of the King: towards the Royal Academy of Arts -- 2. Publics for Trafalgar Square: the National Gallery -- 3. Instructing the whole nation: South Kensington to St Martin's Place -- 4. A national gallery of British art: the Millbank Tate -- 5. Managing 'modern foreign' art: an extension at the Tate Gallery -- 6. Post-war positions: Arts Council, LCC and ICA -- 7. For an international public: the Hayward Gallery -- 8. Coda: Bankside and beyond.
      Subjects:
      Summary:
      • Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art and sections or classes of the population as a whole. This absorbing study concentrates on London.
      More information:
      Genre:
      • History.
      Bibliography:
      • Includes bibliographical references and index.
      Database:
      WorldCat
      Additional physical form entry:
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